{"meta":{"title":"VHILS — Alexandre Farto","generated_at":"2026-05-27T18:09:29.110Z","sources":{"projects_total":167,"projects_eligible":153,"exhibitions_total":83,"exhibitions_eligible":83,"artworks_total":618,"artworks_eligible":304,"projects":154}},"nav":[{"label":"Home","path":"/"},{"label":"Projects","path":"/projects"},{"label":"Work","path":"/work"},{"label":"Exhibitions","path":"/exhibitions"},{"label":"Atlas","path":"/atlas"},{"label":"A–Z","path":"/index"},{"label":"About","path":"/studio"}],"stats":{"projects":181,"exhibitions":111,"works":431,"countries":46,"cities":146,"years":{"min":2005,"max":2026}},"about":{"statement_short":"Vhils works by intervening in the surfaces that shape everyday life — walls, billboards, doors, metal, paper, wood, video and public space. His practice treats each material as an archive, removing rather than adding to reveal the people, histories and tensions embedded within contemporary urban experience.","statement_long":["At the centre of Vhils’ practice is an inversion of image-making. Rather than building through accumulation, he creates by removing: cutting, drilling, etching or blasting through the surfaces that surround us. The result is not simply an image, but a form of excavation in which material becomes witness.","Emerging from graffiti culture in Lisbon in the early 2000s, his work was first publicly developed through the Scratching the Surface project and came to international attention at the Cans Festival in London in 2008. Since then, the practice has unfolded across more than 30 countries, moving between streets, museums, public commissions and experimental formats.","Across carved walls, paper, metal, wood, video, light, sculpture, installation and pyrotechnic works, Vhils has developed a language in which destruction is generative. Each medium carries its own time: the sediment of architecture, the grain of wood, the corrosion of metal, the flash of an explosion. His work asks what surfaces record, and what contemporary life chooses to erase."],"key_exhibitions":["Forever Is Now — Pyramids of Giza, Giza","We Are Here — Petit Palais, Paris","Icons of Urban Art — Mori Arts Center Gallery, Tokyo","Strata — MUCA, Munich","Multitude — MIMA, Brussels","Prisma — MAAT, Lisbon","Beyond the Streets — Saatchi Gallery, London","Ex Situ — Centre Pompidou, Paris","Lasco Project #3 — Palais de Tokyo, Paris","L’Île Intérieure — Fondation Carmignac, Porquerolles","UNESCO Headquarters — Paris","Loading — Grand Palais Immersif, Paris","Barbican Centre — London","Cans Festival — London"],"collections":[{"name":"V&A, Victoria and Albert Museum","city":"London"},{"name":"Pérez Art Museum Miami","city":"Miami"},{"name":"Museum of Contemporary Art San Diego","city":"San Diego"},{"name":"EDP Foundation Collection","city":"Lisbon"},{"name":"MAR, Museu de Arte do Rio","city":"Rio de Janeiro"},{"name":"MUCA, Museum of Urban and Contemporary Art","city":"Munich"},{"name":"UNESCO Art Collection","city":"Paris"}],"statement_short_pt":"Vhils trabalha intervindo nas superfícies que moldam o quotidiano — paredes, painéis publicitários, portas, metal, papel, madeira, vídeo e espaço público. A sua prática trata cada material como um arquivo, removendo em vez de acrescentar para revelar as pessoas, as histórias e as tensões inscritas na experiência urbana contemporânea."},"homeProjects":[{"id":"2e72c11c-73a5-451d-8a22-a364e4a8f289","slug":"biblioteca-lidia-jorge","title":"Biblioteca Lídia Jorge","title_pt":null,"year":2024,"description":"The intervention on the façade of the Biblioteca Municipal Lídia Jorge was created to mark the library’s twentieth anniversary and pay tribute to the writer whose name it carries. Drawing on Lídia Jorge’s literary universe alongside references to Portuguese writing more broadly, the work turns the building’s exterior into an extension of what is held within it. The portrait becomes a public point of entry into literature, connecting the author, the institution and the community it serves.","description_pt":"A intervenção na fachada da Biblioteca Municipal Lídia Jorge foi criada para assinalar o vigésimo aniversário da biblioteca e prestar homenagem à escritora cujo nome esta carrega. Partindo do universo literário de Lídia Jorge e de referências mais amplas à escrita portuguesa, a obra transforma o exterior do edifício numa extensão daquilo que este guarda no seu interior. O retrato torna-se um ponto de entrada público na literatura, ligando a autora, a instituição e a comunidade que esta serve.","statement":null,"medium":"Walls","technique":"bas-relief wall carving","materials":"Carved Facade","city":"Albufeira","country":"Portugal","country_code":"PT","address":null,"venue":"Biblioteca Municipal","venue_type":null,"commissioner":null,"festival":null,"collaborators":null,"series":null,"subject":null,"subject_context":null,"height_m":null,"width_m":null,"area_sqm":null,"creation_date":null,"inauguration_date":null,"completion_date":null,"status":null,"is_featured":true,"lat":37.0954815,"lng":-8.231626,"hero":{"src":"/images/d587a02142d58af2e509793d0fdd165d-2048.webp","srcset":"/images/d587a02142d58af2e509793d0fdd165d-480.webp 480w, /images/d587a02142d58af2e509793d0fdd165d-960.webp 960w, /images/d587a02142d58af2e509793d0fdd165d-1600.webp 1600w, /images/d587a02142d58af2e509793d0fdd165d-2048.webp 2048w","w":2048,"h":1365,"caption":"VHILSTUDIO Artist 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Motifs evoking vernacular textiles frame the face, joining personal memory to local craft. The portrait keeps the building's past legible through the renewal, staying visible inside the site's new life.","description_pt":"Em Matosinhos, este mural de 2024 ocupa um antigo espaço industrial em requalificação, inserindo o retrato de uma mulher mais idosa numa arquitetura já remodelada por usos sucessivos. Motivos que evocam têxteis vernaculares emolduram o rosto, juntando memória pessoal e artesanato local. 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Spanning 35 by 7 metres across levels –1 and –2, the work unfolds as a vast composition of three anonymous portraits and fragments of the city, produced with approximately 11,132 traditional Portuguese azulejos hand-carved over 14 months. Located within a space of accelerated movement and transit, the work reintroduces the human presence into an environment often experienced as a non-place. Paris appears through multiple scales and perspectives—from its historic centre and UNESCO-listed landmarks to the Eiffel Tower, La Défense and the expanding territory of Greater Paris—while the portraits, known as the Faces of Parisians, evoke the people who inhabit, build and continually redefine it. The reflective surface of the tiles brings passing travellers into the composition, making the work shift with the movement of the station itself. The station was designed by architects Bernard Baret and François Tamisier (Chief Architect of Aéroports de Paris). A second part follows in 2027 for Line 18's inauguration between Massy-Palaiseau and Orly. Sponsored by Ardian.","description_pt":"Strates Urbaines (Urban Layers) é a maior encomenda permanente de Vhils até à data, inaugurada a 19 de junho de 2024 na nova estação Aéroport d'Orly do Grand Paris Express. Com 35 por 7 metros, distribuída pelos níveis -1 e -2, a obra desenvolve-se como uma vasta composição de três retratos anónimos e fragmentos da cidade, realizada com cerca de 11.132 azulejos tradicionais portugueses, gravados à mão ao longo de 14 meses. Situada num espaço de movimento e trânsito acelerados, a obra reintroduz a presença humana num ambiente muitas vezes vivido como um não-lugar. Paris surge em múltiplas escalas e perspetivas — do seu centro histórico e monumentos classificados pela UNESCO à Torre Eiffel, à Défense e ao território em expansão da Grande Paris —, enquanto os retratos, conhecidos como Faces of Parisians, evocam as pessoas que a habitam, constroem e redefinem continuamente. A superfície refletora dos azulejos integra os viajantes que passam na composição, fazendo a obra deslocar-se com o próprio movimento da estação. A estação foi desenhada pelos arquitetos Bernard Baret e François Tamisier (Chief Architect of Aéroports de Paris). Uma segunda parte segue-se em 2027, para a inauguração da Linha 18 entre Massy-Palaiseau e Orly. 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Retrata uma figura feminina simbólica e sem nome, colocando as questões de inclusão e igualdade de acesso no centro de um projeto sobre educação, liderança e renovação urbana. Gravada à entrada das residências do campus, a figura ganha a escala de um ícone oficial num bairro em torno do Tecnológico de Monterrey que atravessa uma transformação substancial.","statement":null,"medium":"Walls","technique":"bas-relief wall carving","materials":null,"city":"Monterrey","country":"Mexico","country_code":"MX","address":null,"venue":"Instituto Tecnológico y de Estudios Superiores de Monterrey","venue_type":null,"commissioner":null,"festival":null,"collaborators":null,"series":null,"subject":null,"subject_context":null,"height_m":null,"width_m":null,"area_sqm":null,"creation_date":null,"inauguration_date":null,"completion_date":null,"status":"active","is_featured":true,"lat":25.652635604490058,"lng":-100.29137359405047,"hero":{"src":"/images/fa7dd1cb25ee4b94ec988f651b6dbad3-1920.webp","srcset":"/images/fa7dd1cb25ee4b94ec988f651b6dbad3-480.webp 480w, /images/fa7dd1cb25ee4b94ec988f651b6dbad3-960.webp 960w, /images/fa7dd1cb25ee4b94ec988f651b6dbad3-1600.webp 1600w, /images/fa7dd1cb25ee4b94ec988f651b6dbad3-1920.webp 1920w","w":1920,"h":1281},"gallery":[{"src":"/images/efbbe83435e28439bcd230b07c6076e1-960.webp","srcset":"/images/efbbe83435e28439bcd230b07c6076e1-960.webp 960w","w":1080,"h":1080},{"src":"/images/d50163fc36817fadc0ecaeac367482b3-960.webp","srcset":"/images/d50163fc36817fadc0ecaeac367482b3-960.webp 960w","w":1080,"h":1080},{"src":"/images/ffd047c89d2dcaccf364ab5c7a9664d9-960.webp","srcset":"/images/ffd047c89d2dcaccf364ab5c7a9664d9-960.webp 960w","w":3840,"h":2438},{"src":"/images/2d6928944b4266bc1fbf7c9b88fe9936-3840.webp","srcset":"/images/2d6928944b4266bc1fbf7c9b88fe9936-480.webp 480w, /images/2d6928944b4266bc1fbf7c9b88fe9936-960.webp 960w, /images/2d6928944b4266bc1fbf7c9b88fe9936-1600.webp 1600w, /images/2d6928944b4266bc1fbf7c9b88fe9936-2400.webp 2400w, /images/2d6928944b4266bc1fbf7c9b88fe9936-3840.webp 3840w","w":3840,"h":2563,"caption":"vhils.com (official)"},{"src":"/images/1bf3513f92796b98e6da363b01a59334-3840.webp","srcset":"/images/1bf3513f92796b98e6da363b01a59334-480.webp 480w, /images/1bf3513f92796b98e6da363b01a59334-960.webp 960w, /images/1bf3513f92796b98e6da363b01a59334-1600.webp 1600w, /images/1bf3513f92796b98e6da363b01a59334-2400.webp 2400w, /images/1bf3513f92796b98e6da363b01a59334-3840.webp 3840w","w":3840,"h":2438,"caption":"vhils.com (official)"}],"info_url":null,"video_url":null,"official_title":"DistritoTec Public Art Program / Instituto Tecnológico y de Estudios Superiores de Monterrey","official_slug_aliases":["distritotec-public-art-program-instituto-tecnologico-y-de-estudios-superiores-de-monterrey"],"source_note":"Official long-title Vhils URL verified as alias to this existing record, not a separate project.","tags":["carved"],"hero_alt":"DistritoTec Public Art Program — Walls work, 2018, Monterrey, Mexico","hero_alt_pt":"DistritoTec Public Art Program — Paredes, 2018, Monterrey, México"},{"id":"3dcd1808-3daa-4726-9baf-48a78172c9d9","slug":"making-the-invisible-visible-hennessy","title":"Making the Invisible Visible – Hennessy","title_pt":null,"year":2018,"description":"At 301 N Morgan Street, the Chicago chapter of Hennessy's Making the Invisible Visible campaign carved a portrait of a local cultural figure whose story reflects the communities sustaining the city's creative life. 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The original frame, hinges and hardware are preserved intact, anchoring the carved face within the door's industrial geometry.","description_pt":"Retrato masculino frontal que emerge de uma porta metálica recuperada através de abrasão cinzelada densa; sobrancelha, nariz e lábios surgem num campo granular de tinta removida, deixando o óculo de latão como detalhe intacto junto ao olho. 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Hand-inlaid stone and water-jet polishing translate Vhils's layered street surfaces into a permanent lithic register.","description_pt":"Um retrato feminino fragmentado emerge de mármores contrastantes, com um painel de latão no canto superior direito a preservar letras residuais de um cartaz rasgado. 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Vhils carves directly into the rusted, weathered surface, treating decades of accumulated patina, oxidation, and industrial markings as the tonal substrate for the portrait.","description_pt":"Um rosto humano parcial em perfil de três quartos emerge do painel direito de uma porta metálica recuperada de duas folhas, enquanto o painel esquerdo mantém a pintura ocre original e sinalética triangular desvanecida. 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Multitude (MIMA Brussels, 2024–25) and Graphium (Ulsan, 2025) extend the practice further, with a digital piece in Graphium created from fragments of a demolished Ulsan building.\n\nThe explosion works seeded Vhils's NFT practice. Rust Belt was his debut Nifty Gateway drop (23 June 2021), releasing the 2,000fps detonation film and Detritus fragments carved from its rubble. Destroy to Create followed on Nifty Gateway (October 2021) — two open editions and a ranked auction with a burn mechanic through which collectors could trade previous pieces for rarer ones — and Cycle of Destruction extended the series. On SuperRare, the 1/1 Debris #1 — announced by the artist in September 2021 as his first explosion video, created in 2010 at Fábrica Braço de Prata — tokenised that seminal footage; a second 1/1, Hint, extends the same explosion lineage. Following Nifty Gateway's 2026 closure, those drop pages are preserved via the Internet Archive.\n\n[VIDEO] https://storage.googleapis.com/sr_prod_artworks_bucket/asset%2F758a8c7f49464d4a9fad62a3253ec93c3a403d2df6b72c6d11d69c515aacb23a.mp4\n[VIDEO] https://storage.googleapis.com/sr_prod_artworks_bucket/asset%2F3c906adc735c8acd43e46e5159a4883366132c97e177a7481ef5d8468c65a49e.mp4\n[VIDEO] https://www.youtube.com/watch?v=AyTnKIcsiAw","description_pt":"Desde 2020, Vhils entrou no digital — NFTs na Superchief Gallery NFT New York (2022), peças generativas e a série vídeo City Slow Motion no centro da instalação Prisma (MAAT Lisboa, 2022). 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Vhils dissolves and reconstitutes the cityscape in time-lapse, treating the moving image as another surface to excavate.","description_pt":"Um skyline urbano panorâmico — lido como o porto de Hong Kong — envolve uma galeria escurecida num ecrã curvo multiprojetor, com espectadores em silhueta diante dele. 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The call drew 711 applications and selected 21 winning projects; Scratching the Surface was carved in September 2019. Vhils cuts an anonymous woman's face from the wall's own render. On this hospital boundary, urban archaeology gives the overlooked surface a human presence and treats its material as a layer of human memory.","description_pt":"O muro do Hôpital Lariboisière, na esquina da rue Ambroise Paré com a rue Guy Patin, integrou o programa Embellir Paris, dedicado a lugares quotidianos esquecidos da capital. O concurso recebeu 711 candidaturas e selecionou 21 projetos vencedores; Scratching the Surface foi esculpido em setembro de 2019. Vhils extrai do próprio reboco o rosto de uma mulher anónima. Neste limite do hospital, a arqueologia urbana confere presença humana a uma superfície ignorada e trata a sua matéria como uma camada de memória.","is_featured":false,"status":"approved","tags":["carved","portrait"],"hero":{"src":"/images/4b0f11591b39f35aa8535b70498c427e-3840.webp","srcset":"/images/4b0f11591b39f35aa8535b70498c427e-480.webp 480w, /images/4b0f11591b39f35aa8535b70498c427e-960.webp 960w, /images/4b0f11591b39f35aa8535b70498c427e-1600.webp 1600w, /images/4b0f11591b39f35aa8535b70498c427e-2400.webp 2400w, /images/4b0f11591b39f35aa8535b70498c427e-3840.webp 3840w","w":3840,"h":2560},"gallery":[],"series":"scratching the surface series","hero_alt":"Scratching the Surface project, Paris — Walls work, 2019, Paris, France","hero_alt_pt":"Scratching the Surface project, Paris — Paredes, 2019, Paris, França","related":[{"slug":"embellir","rel":"place","kind":"project"},{"slug":"urban-week-paris-la","rel":"place","kind":"project"}]},{"id":"80fe0d19-3f0c-4f8d-87a1-f6a6c4c9627e","slug":"cothren-181108-0652","title":"We Yone Child Foundation, Freetown","title_pt":null,"type":"wall","medium":"Walls","year":2018,"month":null,"exact_date":null,"city":"Freetown","country":"Sierra Leone","country_code":"SL","venue":null,"address":null,"lat":8.4705856,"lng":-13.2413218,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"A long whitewashed roadside wall carved with two faces, an older smiling man beside a younger person, the portraits rendered in scratched light-and-dark texture; pedestrians pass on the paved street below under an overcast sky.","description_pt":"Um longo muro de estrada caiado, escavado com dois rostos, um homem idoso sorridente ao lado de uma pessoa mais jovem, os retratos trabalhados numa textura riscada de claro-escuro; transeuntes passam na rua pavimentada abaixo, sob um céu encoberto.","is_featured":false,"status":"approved","tags":["carved","portrait"],"hero":{"src":"/images/970a67bdbc0ffb7a7c755ff30644bf3a-1417.webp","srcset":"/images/970a67bdbc0ffb7a7c755ff30644bf3a-480.webp 480w, /images/970a67bdbc0ffb7a7c755ff30644bf3a-960.webp 960w, /images/970a67bdbc0ffb7a7c755ff30644bf3a-1417.webp 1417w","w":1417,"h":945,"caption":"We Yone Child Foundation mural — Freetown, 2018 (Paul + Alfreda, two children’s carved portraits). 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A escavação expõe essa camada operária e imigrante sob a identidade atual de turismo artístico do bairro.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/1bb384cc55bcd45893c35ee9b45782c2-3840.webp","srcset":"/images/1bb384cc55bcd45893c35ee9b45782c2-480.webp 480w, /images/1bb384cc55bcd45893c35ee9b45782c2-960.webp 960w, /images/1bb384cc55bcd45893c35ee9b45782c2-1600.webp 1600w, /images/1bb384cc55bcd45893c35ee9b45782c2-2400.webp 2400w, /images/1bb384cc55bcd45893c35ee9b45782c2-3840.webp 3840w","w":3840,"h":2878},"gallery":[],"series":"scratching the surface series","hero_alt":"Scratching the Surface Project / Miami — Walls work, 2018, Miami, United States","hero_alt_pt":"Scratching the Surface Project / Miami — Paredes, 2018, Miami, Estados Unidos","related":[{"slug":"ethereal-2018","rel":"place","kind":"exhibition"}]},{"id":"7fa6c5c8-03ba-431e-b96f-d5616de358db","slug":"projecto-scratching-the-surface-project-2017macau","title":"Scratching the Surface Project / Macau","title_pt":null,"type":"wall","medium":"Walls","year":2017,"month":null,"exact_date":null,"city":"Macau","country":"China","country_code":"CN","venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Macau's historic centre records one of the earliest and longest encounters between China and the West, while casino development has replaced some old structures with retained or simulated façades. Debris, Vhils's first solo exhibition in Macau, ran from 1 June to 5 November 2017 and extended into four public works. Built from local posters, doors and street footage, the project draws residents and the territory's mixed urban identity out of the materials that hold them.","description_pt":"O centro histórico de Macau regista um dos encontros mais antigos e duradouros entre a China e o Ocidente, enquanto o desenvolvimento dos casinos substituiu algumas estruturas antigas por fachadas conservadas ou simuladas. Debris, a primeira exposição individual de Vhils em Macau, decorreu de 1 de junho a 5 de novembro de 2017 e prolongou-se em quatro obras públicas. Construído com cartazes, portas e imagens de rua locais, o projeto extrai dos materiais os habitantes e a identidade urbana mista do território.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/dbe34a08b80f3dbc9bbaac5e8b207d72-3840.webp","srcset":"/images/dbe34a08b80f3dbc9bbaac5e8b207d72-480.webp 480w, /images/dbe34a08b80f3dbc9bbaac5e8b207d72-960.webp 960w, /images/dbe34a08b80f3dbc9bbaac5e8b207d72-1600.webp 1600w, /images/dbe34a08b80f3dbc9bbaac5e8b207d72-2400.webp 2400w, /images/dbe34a08b80f3dbc9bbaac5e8b207d72-3840.webp 3840w","w":3840,"h":2564},"gallery":[{"src":"/images/c0f6dff36f5151faf870b4eef7d1d771-960.webp","srcset":"/images/c0f6dff36f5151faf870b4eef7d1d771-960.webp 960w","w":1400,"h":857}],"series":"scratching the surface series","hero_alt":"Scratching the Surface Project / Macau — Walls work, 2017, Macau, China","hero_alt_pt":"Scratching the Surface Project / Macau — Paredes, 2017, Macau, China","related":[{"slug":"macau-series-2017-bk","rel":"place","kind":"work"},{"slug":"debris-2017","rel":"place","kind":"exhibition"}]},{"id":"8290b65f-380a-4cfb-82d7-2225f627cd48","slug":"scratching-the-surface-project-2016shanghai-chinatiago","title":"Scratching the Surface Project / Shanghai","title_pt":null,"type":"wall","medium":"Walls","year":2016,"month":null,"exact_date":null,"city":"Shanghai","country":"China","country_code":"CN","venue":null,"address":"Tower 3, Lane 1521, Tian Bao Road, Hongkou District, Shanghai","lat":31.266862948439393,"lng":121.49878182076259,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Shanghai's shikumen housing once formed 65% of the city's residential stock; in Xuhui, its floor area later fell by roughly 91%. At Hongqiao Tiandi, a new development with no historic buildings on site, Vhils carved an unnamed woman during a four-day live intervention in September 2016. Against the city's lost lane-house life, the face cuts human presence into a surface shaped by redevelopment.","description_pt":"A habitação shikumen chegou a representar 65% do parque residencial de Xangai; em Xuhui, a sua área diminuiu depois cerca de 91%. Em Hongqiao Tiandi, um empreendimento novo sem edifícios históricos no local, Vhils gravou uma mulher não identificada durante uma intervenção ao vivo de quatro dias, em setembro de 2016. Perante o desaparecimento da vida nos antigos becos residenciais, o rosto inscreve presença humana numa superfície moldada pela reconstrução urbana.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/8955869e00b6aea9fd184851bd3ae149-3840.webp","srcset":"/images/8955869e00b6aea9fd184851bd3ae149-480.webp 480w, /images/8955869e00b6aea9fd184851bd3ae149-960.webp 960w, /images/8955869e00b6aea9fd184851bd3ae149-1600.webp 1600w, /images/8955869e00b6aea9fd184851bd3ae149-2400.webp 2400w, /images/8955869e00b6aea9fd184851bd3ae149-3840.webp 3840w","w":3840,"h":2881},"gallery":[{"src":"/images/91e03dd1d3a125d7cfdc712e0666b113-960.webp","srcset":"/images/91e03dd1d3a125d7cfdc712e0666b113-480.webp 480w, /images/91e03dd1d3a125d7cfdc712e0666b113-960.webp 960w, /images/91e03dd1d3a125d7cfdc712e0666b113-1600.webp 1600w, /images/91e03dd1d3a125d7cfdc712e0666b113-2126.webp 2126w","w":2126,"h":1594},{"src":"/images/ba166157d5575b3a46af58c2a1ad590d-960.webp","srcset":"/images/ba166157d5575b3a46af58c2a1ad590d-480.webp 480w, /images/ba166157d5575b3a46af58c2a1ad590d-960.webp 960w, /images/ba166157d5575b3a46af58c2a1ad590d-1600.webp 1600w, /images/ba166157d5575b3a46af58c2a1ad590d-2268.webp 2268w","w":2268,"h":1701}],"series":"scratching the surface series","hero_alt":"Scratching the Surface Project / Shanghai — Walls work, 2016, Shanghai, China","hero_alt_pt":"Scratching the Surface Project / Shanghai — Paredes, 2016, Xangai, China","related":[{"slug":"the-hub-north-shanghai","rel":"place","kind":"project"}]},{"id":"f3fae348-b854-474e-9579-88d08163755b","slug":"scratching-the-surface-project-2016bucharest-romaniaalexander","title":"Scratching the Surface Project / Bucharest","title_pt":null,"type":"wall","medium":"Walls","year":2016,"month":null,"exact_date":null,"city":"Bucharest","country":"Romania","country_code":"RO","venue":null,"address":"Calea Griviței 28, Bucharest (National University of Arts)","lat":44.445707353818044,"lng":26.0867520952454,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Constantin Brâncuși redefined modern sculpture through direct carving, working straight into stone and wood rather than through casts. On 7 November 2016, during a Romanian trip that produced three murals, Vhils cut Brâncuși's likeness into the wall of Bucharest's National University of Arts for București – Orașul In-Vizibil. The homage resides in the method: one sculptor of raw material is excavated by another at the institution training Romania's next artists.","description_pt":"Constantin Brâncuși redefiniu a escultura moderna através da talha direta, trabalhando a pedra e a madeira sem passar por moldes. A 7 de novembro de 2016, durante uma viagem à Roménia na qual realizou três murais, Vhils gravou o rosto de Brâncuși na parede da Universidade Nacional de Artes de Bucareste para București – Orașul In-Vizibil. A homenagem reside no método: um escultor da matéria em bruto é escavado por outro na instituição que forma os próximos artistas do país.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/ed77505c60faef9965266f9b17fd6e3f-3840.webp","srcset":"/images/ed77505c60faef9965266f9b17fd6e3f-480.webp 480w, /images/ed77505c60faef9965266f9b17fd6e3f-960.webp 960w, /images/ed77505c60faef9965266f9b17fd6e3f-1600.webp 1600w, /images/ed77505c60faef9965266f9b17fd6e3f-2400.webp 2400w, /images/ed77505c60faef9965266f9b17fd6e3f-3840.webp 3840w","w":3840,"h":2560},"gallery":[],"series":"scratching the surface series","hero_alt":"Scratching the Surface Project / Bucharest — Walls work, 2016, Bucharest, Romania","hero_alt_pt":"Scratching the Surface Project / Bucharest — Paredes, 2016, Bucareste, Roménia"},{"id":"935725cf-a5e2-4a85-8f1b-507c3eb7697e","slug":"scratching-the-surface-project-2016dubai-united","title":"Scratching the Surface Project / Dubai","title_pt":null,"type":"wall","medium":"Walls","year":2016,"month":null,"exact_date":null,"city":"Dubai","country":"United Arab Emirates","country_code":"AE","venue":null,"address":null,"lat":25.207349,"lng":55.262633,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Before oil, Dubai's economy rested on pearling and maritime trade, and the modern city rose quickly over that Bedouin world. For Dubai Walls in 2016, Vhils carved Musallim bin Al Kamam, a Musaifar Bedouin sheikh photographed by Wilfred Thesiger in the late 1940s, into a new City Walk façade. The fresh construction now carries a figure from the tribes that preceded Dubai's development, setting pre-oil history into the architecture of rapid growth.","description_pt":"Antes do petróleo, a economia do Dubai assentava na pesca de pérolas e no comércio marítimo; a cidade moderna cresceu rapidamente sobre esse mundo beduíno. Para o Dubai Walls, em 2016, Vhils gravou numa nova fachada de City Walk Musallim bin Al Kamam, xeque beduíno da linhagem Musaifar fotografado por Wilfred Thesiger no final da década de 1940. A construção recente transporta agora uma figura das tribos anteriores ao desenvolvimento do Dubai, inscrevendo a história pré-petróleo na arquitetura do crescimento acelerado.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/554a2fb2d23dd28f691544c2351f9fb0-3840.webp","srcset":"/images/554a2fb2d23dd28f691544c2351f9fb0-480.webp 480w, /images/554a2fb2d23dd28f691544c2351f9fb0-960.webp 960w, /images/554a2fb2d23dd28f691544c2351f9fb0-1600.webp 1600w, /images/554a2fb2d23dd28f691544c2351f9fb0-2400.webp 2400w, /images/554a2fb2d23dd28f691544c2351f9fb0-3840.webp 3840w","w":3840,"h":2314},"gallery":[],"series":"scratching the surface series","hero_alt":"Scratching the Surface Project / Dubai — Walls work, 2016, Dubai, United Arab Emirates","hero_alt_pt":"Scratching the Surface Project / Dubai — Paredes, 2016, Dubai, Emirados Árabes Unidos","related":[{"slug":"dubai-walls","rel":"place","kind":"project"}]},{"id":"4f88e1b8-19b0-45a0-a856-44880eaf5ac2","slug":"scratching-the-surface-project-2016dakarsenegal","title":"Scratching the Surface, Dakar","title_pt":null,"type":"wall","medium":"Walls","year":2016,"month":null,"exact_date":null,"city":"Dakar","country":"Senegal","country_code":"SN","venue":null,"address":"Route de la Corniche Ouest, Dakar (IFAN – Université Cheikh Anta Diop)","lat":14.6835662,"lng":-17.4677413,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Cheikh Anta Diop was a Senegalese physicist, historian and anthropologist whose work argued for ancient Egypt's Black African foundations and a shared African cultural continuity. Both UCAD and IFAN began as colonial institutions and were later renamed for him. Inaugurated on 19 July 2016, thirty years after his death, Vhils's portrait re-inscribes Diop and his anti-colonial thought on IFAN's façade, turning postcolonial renaming into physical form.","description_pt":"Cheikh Anta Diop foi um físico, historiador e antropólogo senegalês que defendeu as raízes negras africanas do antigo Egito e uma continuidade cultural comum em África. Tanto a UCAD como o IFAN nasceram como instituições coloniais e foram mais tarde rebatizados com o seu nome. Inaugurado a 19 de julho de 2016, trinta anos após a sua morte, o retrato de Vhils reinscreve Diop e o seu pensamento anticolonial na fachada do IFAN, dando forma física à renomeação pós-colonial.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/4de3126eac7d71d5e478bbbd26b3d13e-3840.webp","srcset":"/images/4de3126eac7d71d5e478bbbd26b3d13e-480.webp 480w, /images/4de3126eac7d71d5e478bbbd26b3d13e-960.webp 960w, /images/4de3126eac7d71d5e478bbbd26b3d13e-1600.webp 1600w, /images/4de3126eac7d71d5e478bbbd26b3d13e-2400.webp 2400w, /images/4de3126eac7d71d5e478bbbd26b3d13e-3840.webp 3840w","w":3840,"h":2878},"gallery":[{"src":"/images/33e273da26eafe135cdbe9a31cc5ea46-960.webp","srcset":"/images/33e273da26eafe135cdbe9a31cc5ea46-960.webp 960w","w":1400,"h":786},{"src":"/images/4e782b50ff3399685c61abd211bf124c-960.webp","srcset":"/images/4e782b50ff3399685c61abd211bf124c-480.webp 480w, /images/4e782b50ff3399685c61abd211bf124c-960.webp 960w, /images/4e782b50ff3399685c61abd211bf124c-1417.webp 1417w","w":1417,"h":1890}],"series":"scratching the surface series","hero_alt":"Scratching the Surface, Dakar — Walls work, 2016, Dakar, Senegal","hero_alt_pt":"Scratching the Surface, Dakar — Paredes, 2016, Dakar, Senegal","related":[{"slug":"universit-cheikh-anta-diop","rel":"place","kind":"project"}]},{"id":"1190b58f-0659-4bb5-8c0b-1fc369b84c8c","slug":"scratching-the-surface-project-2016oeiras-portugalbruno","title":"Scratching the Surface, Oeiras (Festival Iminente)","title_pt":null,"type":"wall","medium":"Walls","year":2016,"month":null,"exact_date":null,"city":"Oeiras","country":"Portugal","country_code":"PT","venue":null,"address":"Jardim Municipal de Oeiras, Oeiras","lat":38.6917492,"lng":-9.313830300000063,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Festival Iminente launched in Oeiras's municipal garden in 2016, curated by Vhils and Underdogs to place Portuguese and Lusophone urban culture in an international setting. The first edition ran from 23 to 25 September and gathered 15 visual artists. At his own festival, Vhils carved an unidentified face into the wall, giving the platform's stated values of inclusion and visibility a human scale.","description_pt":"O Festival Iminente nasceu no jardim municipal de Oeiras, em 2016, com curadoria de Vhils e Underdogs, para situar a cultura urbana portuguesa e lusófona num contexto internacional. A primeira edição decorreu de 23 a 25 de setembro e reuniu 15 artistas visuais. No seu próprio festival, Vhils gravou um rosto não identificado na parede, dando escala humana aos valores de inclusão e visibilidade afirmados pela plataforma.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/19e1150dc46f3d6eee76e230a161a9da-3840.webp","srcset":"/images/19e1150dc46f3d6eee76e230a161a9da-480.webp 480w, /images/19e1150dc46f3d6eee76e230a161a9da-960.webp 960w, /images/19e1150dc46f3d6eee76e230a161a9da-1600.webp 1600w, /images/19e1150dc46f3d6eee76e230a161a9da-2400.webp 2400w, /images/19e1150dc46f3d6eee76e230a161a9da-3840.webp 3840w","w":3840,"h":2563},"gallery":[{"src":"/images/8de7cbf36630a942d41bad4a2eca7e67-960.webp","srcset":"/images/8de7cbf36630a942d41bad4a2eca7e67-480.webp 480w, /images/8de7cbf36630a942d41bad4a2eca7e67-960.webp 960w, /images/8de7cbf36630a942d41bad4a2eca7e67-1535.webp 1535w","w":1535,"h":1024}],"series":"scratching the surface series","hero_alt":"Scratching the Surface, Oeiras (Festival Iminente) — Walls work, 2016, Oeiras, Portugal","hero_alt_pt":"Scratching the Surface, Oeiras (Festival Iminente) — Paredes, 2016, Oeiras, Portugal"},{"id":"297d98e9-0b94-4134-8854-ddb9cfe44668","slug":"scratching-the-surface-project-2014los-angeles","title":"Scratching the Surface, Los Angeles","title_pt":null,"type":"wall","medium":"Walls","year":2014,"month":null,"exact_date":null,"city":"Los Angeles","country":"United States","country_code":"US","venue":null,"address":null,"lat":34.0610448,"lng":-118.2374167,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Los Angeles effectively prohibited new murals from 2002 until 2013, when the city again allowed non-commercial works. The following year, the Contrast Mural Series commissioned Vhils for two Chinatown walls, explicitly linking them to the district's history and multicultural roots. His unidentified faces made public portraiture part of the streets again, cutting a civic presence into a city surface that had been closed to new murals for eleven years.","description_pt":"Los Angeles proibiu na prática novos murais entre 2002 e 2013, ano em que voltou a permitir intervenções não comerciais. No ano seguinte, a Contrast Mural Series convidou Vhils para duas paredes de Chinatown, ligando-as explicitamente à história e às raízes multiculturais do bairro. Com estes rostos não identificados, o retrato público voltou às ruas, inscrevendo presença cívica numa superfície urbana que estivera fechada a novos murais durante onze anos.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/af1cda75bb9ed7a036e9d67bcb36cc6a-3840.webp","srcset":"/images/af1cda75bb9ed7a036e9d67bcb36cc6a-480.webp 480w, /images/af1cda75bb9ed7a036e9d67bcb36cc6a-960.webp 960w, /images/af1cda75bb9ed7a036e9d67bcb36cc6a-1600.webp 1600w, /images/af1cda75bb9ed7a036e9d67bcb36cc6a-2400.webp 2400w, /images/af1cda75bb9ed7a036e9d67bcb36cc6a-3840.webp 3840w","w":3840,"h":2559},"gallery":[{"src":"/images/30a708eef43fba9d0423889ec2482ccb-960.webp","srcset":"/images/30a708eef43fba9d0423889ec2482ccb-480.webp 480w, /images/30a708eef43fba9d0423889ec2482ccb-960.webp 960w, /images/30a708eef43fba9d0423889ec2482ccb-1050.webp 1050w","w":1050,"h":700}],"series":"scratching the surface series","hero_alt":"Scratching the Surface, Los Angeles — Walls work, 2014, Los Angeles, United States","hero_alt_pt":"Scratching the Surface, Los Angeles — Paredes, 2014, Los Angeles, Estados Unidos","related":[{"slug":"contrast-mural-series-los-angeles","rel":"place","kind":"project"}]},{"id":"2994c2a6-4730-4d0d-af47-a09edf38ce10","slug":"scratching-the-surface-project-2014lodz-polandmarek","title":"Scratching the Surface, Łódź (Urban Forms Festival)","title_pt":null,"type":"wall","medium":"Walls","year":2014,"month":null,"exact_date":null,"city":"Łódź","country":"Poland","country_code":"PL","venue":null,"address":null,"lat":51.7616247,"lng":19.4471565,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Łódź grew from 13,000 inhabitants in 1840 to more than 500,000 by 1913 as a textile powerhouse, then lost that economy after 1989. For Urban Forms in 2014, Vhils carved an ordinary passer-by into a distressed façade; 'Marek' names the photographer, not the sitter. A face breaks through the plaster of a city built by factories and worker communities, lifting an individual out of its post-industrial fabric.","description_pt":"Łódź passou de 13 000 habitantes em 1840 para mais de 500 000 em 1913, tornando-se uma potência têxtil, antes de essa economia colapsar após 1989. Para o Urban Forms, em 2014, Vhils gravou numa fachada degradada uma pessoa comum; «Marek» é o nome do fotógrafo, não do modelo. Um rosto atravessa o reboco de uma cidade erguida por fábricas e comunidades operárias, destacando um indivíduo do seu tecido pós-industrial.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/fd2796782755bffd97f7edde9ed31f4d-3840.webp","srcset":"/images/fd2796782755bffd97f7edde9ed31f4d-480.webp 480w, /images/fd2796782755bffd97f7edde9ed31f4d-960.webp 960w, /images/fd2796782755bffd97f7edde9ed31f4d-1600.webp 1600w, /images/fd2796782755bffd97f7edde9ed31f4d-2400.webp 2400w, /images/fd2796782755bffd97f7edde9ed31f4d-3840.webp 3840w","w":3840,"h":2560},"gallery":[],"series":"scratching the surface series","hero_alt":"Scratching the Surface, Łódź (Urban Forms Festival) — Walls work, 2014, Łódź, Poland","hero_alt_pt":"Scratching the Surface, Łódź (Urban Forms Festival) — Paredes, 2014, Łódź, Polónia"},{"id":"0e1e817a-d874-4baf-94e4-d9b6267c38e7","slug":"shatter-series-01-and-3-2020-bk","title":"Shatter Series #01 and #03","title_pt":null,"type":"unique_piece","medium":"Walls","year":2020,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Laser-engraved fragment from demolished building (brick, plaster, concrete, paint)","dimensions":"54 x 28 x 26 cm","surface":null,"description":"A fragment of a wall featuring a carved portrait of lips, part of the Shatter Series #01, 2020.","description_pt":"Um fragmento de parede com um retrato escavado de lábios, parte da Shatter Series #01, 2020.","is_featured":false,"status":"approved","tags":["carved","laser-engraved","fragment"],"hero":{"src":"/images/2fe9785d4d2b1ee91a3c48ab0f46778d-1440.webp","srcset":"/images/2fe9785d4d2b1ee91a3c48ab0f46778d-480.webp 480w, /images/2fe9785d4d2b1ee91a3c48ab0f46778d-960.webp 960w, /images/2fe9785d4d2b1ee91a3c48ab0f46778d-1440.webp 1440w","w":1440,"h":1800},"gallery":[{"src":"/images/bfc949c7035803e673b4449e97764b30-1051.webp","srcset":"/images/bfc949c7035803e673b4449e97764b30-480.webp 480w, /images/bfc949c7035803e673b4449e97764b30-960.webp 960w, /images/bfc949c7035803e673b4449e97764b30-1051.webp 1051w","w":1051,"h":1327}],"series":"shatter series","hero_alt":"Shatter Series #01 and #03 — Walls work, 2020","hero_alt_pt":"Shatter Series #01 and #03 — Paredes, 2020","related":[{"slug":"shatter-series-01-2020","rel":"series","kind":"work"}]},{"id":"ffeb9f9c-38ee-4622-bb60-42c195bbc094","slug":"scratching-the-surface-project-2014honolulu-hawaii","title":"Scratching the Surface, Honolulu (Pow! Wow! Hawaii)","title_pt":null,"type":"wall","medium":"Walls","year":2014,"month":null,"exact_date":null,"city":"Honolulu","country":"United States","country_code":"US","venue":null,"address":"768 Auahi Street, Honolulu","lat":21.29736,"lng":-157.85978,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"POW! WOW! began in Hong Kong in 2009 and turned Kaka'ako, then a faded industrial district, into the base of an international mural network. By the festival's fifth Hawai'i year, Vhils carved one of its 'common people' into a warehouse wall, adding text to his portrait method. An ordinary person rises from the same industrial fabric that the festival was reclaiming from abandonment.","description_pt":"O POW! WOW! nasceu em Hong Kong em 2009 e transformou Kaka'ako, então um bairro industrial esquecido, na base de uma rede internacional de murais. No quinto ano da edição do Hawai'i, Vhils gravou numa parede de armazém uma das suas «pessoas comuns», juntando texto ao método do retrato. Uma pessoa comum emerge do mesmo tecido industrial que o festival recuperava do abandono.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/683affff169a96198e216babdf1e1e13-2362.webp","srcset":"/images/683affff169a96198e216babdf1e1e13-480.webp 480w, /images/683affff169a96198e216babdf1e1e13-960.webp 960w, /images/683affff169a96198e216babdf1e1e13-1600.webp 1600w, /images/683affff169a96198e216babdf1e1e13-2362.webp 2362w","w":2362,"h":1575},"gallery":[{"src":"/images/0a4b306b6a613e32ab1a59a7c295e621-1600.webp","srcset":"/images/0a4b306b6a613e32ab1a59a7c295e621-480.webp 480w, /images/0a4b306b6a613e32ab1a59a7c295e621-960.webp 960w, /images/0a4b306b6a613e32ab1a59a7c295e621-1600.webp 1600w","w":1600,"h":1066,"caption":"King Lunalilo — Pow! Wow! Hawaii, Alpha Key building, Auahi & Cooke St, Kaka’ako, Honolulu, 2014. Photo: Rom Levy (StreetArtNews). RIGHTS: clear with Rom Levy / StreetArtNews before external/commercial use."}],"series":"scratching the surface series","hero_alt":"Scratching the Surface, Honolulu (Pow! Wow! Hawaii) — Walls work, 2014, Honolulu, United States","hero_alt_pt":"Scratching the Surface, Honolulu (Pow! Wow! Hawaii) — Paredes, 2014, Honolulu, Estados Unidos","related":[{"slug":"pow-wow-hawaii","rel":"place","kind":"project"}]},{"id":"9f405adb-2856-4423-aad4-c44a94559053","slug":"scratching-the-surface-project-2013tudela-spainjordi","title":"Scratching the Surface Project, Tudela, Spain","title_pt":null,"type":"wall","medium":"Walls","year":2013,"month":null,"exact_date":null,"city":"Tudela","country":"Spain","country_code":"ES","venue":null,"address":null,"lat":42.064421,"lng":-1.608228,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Tudela was founded under Muslim rule and later held a Jewish aljama that survived the Christian conquest before expulsion and forced conversion erased that community from public life. Avant Garde Urbano's fourth edition brought Vhils to the neglected historic centre from 30 September to 4 October 2013. Cutting an unnamed face through an old wall's layers recalls the Muslim and Jewish communities removed from the town's visible history.","description_pt":"Tudela foi fundada sob domínio muçulmano e acolheu depois uma aljama judaica que sobreviveu à conquista cristã, antes de a expulsão e a conversão forçada apagarem essa comunidade da vida pública. A quarta edição do Avant Garde Urbano levou Vhils ao centro histórico degradado, de 30 de setembro a 4 de outubro de 2013. Gravar um rosto sem nome nas camadas de uma parede antiga evoca as comunidades muçulmana e judaica retiradas da história visível da cidade.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/607f31cf0fbe2799e306250e61dbdd94-960.webp","srcset":"/images/607f31cf0fbe2799e306250e61dbdd94-480.webp 480w, /images/607f31cf0fbe2799e306250e61dbdd94-960.webp 960w, /images/607f31cf0fbe2799e306250e61dbdd94-1280.webp 1280w","w":1280,"h":766},"gallery":[{"src":"/images/c0eddf4534aafa782dde130f946c914c-2248.webp","srcset":"/images/c0eddf4534aafa782dde130f946c914c-480.webp 480w, /images/c0eddf4534aafa782dde130f946c914c-960.webp 960w, /images/c0eddf4534aafa782dde130f946c914c-1600.webp 1600w, /images/c0eddf4534aafa782dde130f946c914c-2248.webp 2248w","w":2248,"h":4000,"caption":"Tudela carved portrait — Avant Garde Urbano, c/Granados × c/Yeseros, Tudela (Navarra), Oct 2013 (elderly man from a >100-yr-old archive photo). Photo: Stephane E. (I Support Street Art). 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Em conjunto, os métodos encenam duas formas de desgaste: Vhils retira matéria para recuperar uma pessoa do edifício; Pixel Pancho acrescenta uma máquina já em decomposição, opondo a memória humana à promessa de sobrevivência da máquina.","is_featured":false,"status":"approved","tags":["carved"],"hero":{"src":"/images/43a6a21516138d08f0660b317d499ddb-3840.webp","srcset":"/images/43a6a21516138d08f0660b317d499ddb-480.webp 480w, /images/43a6a21516138d08f0660b317d499ddb-960.webp 960w, /images/43a6a21516138d08f0660b317d499ddb-1600.webp 1600w, /images/43a6a21516138d08f0660b317d499ddb-2400.webp 2400w, /images/43a6a21516138d08f0660b317d499ddb-3840.webp 3840w","w":3840,"h":2462},"gallery":[{"src":"/images/e7a68468227b24f776bbec4d96a421db-3840.webp","srcset":"/images/e7a68468227b24f776bbec4d96a421db-480.webp 480w, /images/e7a68468227b24f776bbec4d96a421db-960.webp 960w, /images/e7a68468227b24f776bbec4d96a421db-1600.webp 1600w, /images/e7a68468227b24f776bbec4d96a421db-2400.webp 2400w, /images/e7a68468227b24f776bbec4d96a421db-3840.webp 3840w","w":3840,"h":2546}],"series":"scratching the surface series","hero_alt":"Scratching the Surface Project (Collaboration), 2013 — Walls work, 2013","hero_alt_pt":"Scratching the Surface Project (Collaboration), 2013 — Paredes, 2013"},{"id":"5b745347-9e68-4ac3-b8a3-2877eda4e982","slug":"scratching-the-surface-project-2013paris-france","title":"Scratching the Surface Project, Paris, France","title_pt":null,"type":"wall","medium":"Walls","year":2013,"month":null,"exact_date":null,"city":"Paris","country":"France","country_code":"FR","venue":null,"address":"75 Rue de la Fontaine au Roi, Paris","lat":48.8688319,"lng":2.3763005,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Nuit Blanche has turned Paris into a free, all-night gallery since its launch in 2002. 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Flanking posters — for the Delmare Café at Praia do Rouxinol, Costa da Caparica, and a Felix da Housecat club night dated Saturday 28 June — together with the artist's photograph filename date of 9 July 2008 place the intervention in the summer of 2008. It belongs to the early Empty Faces group of street interventions published on the artist's Cargo Collective portfolio, in which faces were excavated from the poster strata of the urban environment, and is distinct from the framed Empty Faces Series studio works of the same period.","description_pt":"Um rosto a gritar, rasgado e cortado a partir das camadas acumuladas de cartazes publicitários colados com cola de farinha numa parede de rua em Portugal, com fragmentos de texto impresso deixados legíveis ao longo da composição. 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Pertence ao grupo inicial Empty Faces de intervenções de rua publicado no portefólio Cargo Collective do artista, no qual rostos eram escavados nos estratos de cartazes do ambiente urbano, e distingue-se das obras de estúdio emolduradas Empty Faces Series do mesmo período.","is_featured":false,"status":"approved","tags":["enriched","cargo-2012"],"hero":{"src":"/images/6a6b4ee08c9732996adf3cd77635f64d-1936.webp","srcset":"/images/6a6b4ee08c9732996adf3cd77635f64d-480.webp 480w, /images/6a6b4ee08c9732996adf3cd77635f64d-960.webp 960w, /images/6a6b4ee08c9732996adf3cd77635f64d-1600.webp 1600w, /images/6a6b4ee08c9732996adf3cd77635f64d-1936.webp 1936w","w":1936,"h":1288},"gallery":[{"src":"/images/f5f5825e5d543faea745d857236da730-960.webp","srcset":"/images/f5f5825e5d543faea745d857236da730-480.webp 480w, /images/f5f5825e5d543faea745d857236da730-960.webp 960w, /images/f5f5825e5d543faea745d857236da730-1600.webp 1600w, /images/f5f5825e5d543faea745d857236da730-1936.webp 1936w","w":1936,"h":1288,"caption":"Under the viaduct — July 2008 (personal archive)"}],"hero_alt":"Empty Faces (Street Intervention, 2008) — Walls work, 2008, Portugal","hero_alt_pt":"Empty Faces (Street Intervention, 2008) — Paredes, 2008, Portugal"},{"id":"enrich-cargo-66e2d95f976c","slug":"empty-faces-street-intervention-2007","title":"Empty Faces (Street Intervention, 2007)","title_pt":null,"type":"unique_piece","medium":"Walls","year":2007,"month":null,"exact_date":null,"city":null,"country":"Portugal","country_code":"PT","venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"A female face carved and torn from layers of wheat-pasted street posters on a low roadside wall in Portugal, photographed as a car passes. Neighbouring posters — the play Tanto Amor Desperdiçado and a Hacienda Klub club night dated Saturday 22 September — are consistent with the artist's photograph filename 'Cartazrua' ('street poster'), dated 15 September 2007, dating the intervention to 2007. It belongs to the early Empty Faces group of street interventions published on the artist's Cargo Collective portfolio, distinct from the framed Empty Faces Series studio works of the same period.","description_pt":"Um rosto feminino escavado e rasgado das camadas de cartazes de rua colados com cola de farinha num muro baixo à beira da estrada em Portugal, fotografado quando passa um carro. Os cartazes vizinhos — a peça Tanto Amor Desperdiçado e uma noite de clube no Hacienda Klub datada de sábado, 22 de setembro — são coerentes com o nome do ficheiro da fotografia do artista, 'Cartazrua' ('cartaz de rua'), datado de 15 de setembro de 2007, datando a intervenção de 2007. Pertence ao grupo inicial Empty Faces de intervenções de rua publicado no portefólio Cargo Collective do artista, distinto das obras de estúdio emolduradas Empty Faces Series do mesmo período.","is_featured":false,"status":"approved","tags":["enriched","cargo-2012"],"hero":{"src":"/images/b6f015c66e6cf379f47308f45e03b101-3456.webp","srcset":"/images/b6f015c66e6cf379f47308f45e03b101-480.webp 480w, /images/b6f015c66e6cf379f47308f45e03b101-960.webp 960w, /images/b6f015c66e6cf379f47308f45e03b101-1600.webp 1600w, /images/b6f015c66e6cf379f47308f45e03b101-2400.webp 2400w, /images/b6f015c66e6cf379f47308f45e03b101-3456.webp 3456w","w":3456,"h":2304},"gallery":[{"src":"/images/967f380372164bb155cd75418aa4a3f5-960.webp","srcset":"/images/967f380372164bb155cd75418aa4a3f5-480.webp 480w, /images/967f380372164bb155cd75418aa4a3f5-960.webp 960w, /images/967f380372164bb155cd75418aa4a3f5-1600.webp 1600w, /images/967f380372164bb155cd75418aa4a3f5-2400.webp 2400w, /images/967f380372164bb155cd75418aa4a3f5-3456.webp 3456w","w":3456,"h":2304,"caption":"The intervention in context — Lisbon, September 2007 (personal archive)"},{"src":"/images/a985b3fdd4afee48ec30c4c07e448839-400.webp","srcset":"/images/a985b3fdd4afee48ec30c4c07e448839-400.webp 400w","w":400,"h":600}],"hero_alt":"Empty Faces (Street Intervention, 2007) — Walls work, 2007, Portugal","hero_alt_pt":"Empty Faces (Street Intervention, 2007) — Paredes, 2007, Portugal"},{"id":"enrich-cargo-639a5e79c669","slug":"empty-faces-street-intervention-pias-posters","title":"Empty Faces (Street Intervention, c. 2007–08)","title_pt":null,"type":"unique_piece","medium":"Walls","year":2007,"month":null,"exact_date":null,"city":null,"country":"Portugal","country_code":"PT","venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"A face excavated from a dense mass of wheat-pasted posters on a Portuguese street wall, photographed with a passing car in the foreground. The intervention is flanked by posters for the Pias Summer Festival (Pias–Serpa, 25–27 July, headlined by DJ Vibe), '5º Aniversário' strips, and a CCB poster dated 7 December, with a printed '2007' visible nearby, placing the scene around 2007–08. It belongs to the early Empty Faces group of street interventions published on the artist's Cargo Collective portfolio, distinct from the framed Empty Faces Series studio works of the same period.","description_pt":"Um rosto escavado numa massa densa de cartazes colados com cola de farinha numa parede de rua portuguesa, fotografado com um carro a passar em primeiro plano. A intervenção é ladeada por cartazes do Pias Summer Festival (Pias–Serpa, 25–27 de julho, com DJ Vibe em destaque), tiras de '5º Aniversário' e um cartaz do CCB datado de 7 de dezembro, com um '2007' impresso visível nas proximidades, situando a cena por volta de 2007–08. Pertence ao grupo inicial Empty Faces de intervenções de rua publicado no portefólio Cargo Collective do artista, distinto das obras de estúdio emolduradas Empty Faces Series do mesmo período.","is_featured":false,"status":"approved","tags":["enriched","cargo-2012"],"hero":{"src":"/images/5cd3bc7ceeefa818a585c32db0745f34-1000.webp","srcset":"/images/5cd3bc7ceeefa818a585c32db0745f34-480.webp 480w, /images/5cd3bc7ceeefa818a585c32db0745f34-960.webp 960w, /images/5cd3bc7ceeefa818a585c32db0745f34-1000.webp 1000w","w":1000,"h":650},"gallery":[{"src":"/images/ef565ff1ed3289a8c66b0b7167dcdcd0-960.webp","srcset":"/images/ef565ff1ed3289a8c66b0b7167dcdcd0-480.webp 480w, /images/ef565ff1ed3289a8c66b0b7167dcdcd0-960.webp 960w, /images/ef565ff1ed3289a8c66b0b7167dcdcd0-1600.webp 1600w, /images/ef565ff1ed3289a8c66b0b7167dcdcd0-1936.webp 1936w","w":1936,"h":1288,"caption":"Street context — July 2008 (personal archive)"},{"src":"/images/fde5a47f4e2dd4d8818f15a5cb58a674-506.webp","srcset":"/images/fde5a47f4e2dd4d8818f15a5cb58a674-480.webp 480w, /images/fde5a47f4e2dd4d8818f15a5cb58a674-506.webp 506w","w":506,"h":600}],"hero_alt":"Empty Faces (Street Intervention, c. 2007–08) — Walls work, 2007, Portugal","hero_alt_pt":"Empty Faces (Street Intervention, c. 2007–08) — Paredes, 2007, Portugal"},{"id":"enrich-cargo-1d0187698fcf","slug":"first-carving-braco-de-prata-2007","title":"First Carved Wall (Visual Street Performance 2007)","title_pt":null,"type":"unique_piece","medium":"Walls","year":2007,"month":null,"exact_date":null,"city":"Lisbon","country":"Portugal","country_code":"PT","venue":"Fábrica do Braço de Prata","address":null,"lat":38.7438,"lng":-9.1011,"technique":"Carving (scratching the surface)","materials":null,"dimensions":null,"surface":"Freestanding painted wall panel","description":"Vhils' first carved wall, cut for the Visual Street Performance 2007 group exhibition at Fábrica do Braço de Prata, Lisbon, in November 2007 — the first public presentation of the carving technique. After reversing his stencil process on layers of advertising posters and testing tools on the walls of an abandoned factory, he carved this portrait through white plaster into the brick and block masonry beneath — 'the first accomplished wall piece with this technique', in his words. His early website titled it 'Palimpsest'. The wall no longer exists; the official November 2007 photograph documents it.","description_pt":"A primeira parede esculpida de Vhils, feita para a exposição coletiva Visual Street Performance 2007 na Fábrica do Braço de Prata, em Lisboa, em Novembro de 2007 — a primeira apresentação pública da técnica de escavação. Depois de inverter o processo do stencil em camadas de cartazes de rua e de testar as ferramentas nas paredes de uma fábrica abandonada, esculpiu este retrato através do reboco branco até ao tijolo e aos blocos por baixo — «a primeira parede conseguida com esta técnica», nas suas palavras. O seu primeiro site apresentava-a com o título «Palimpsest». A parede já não existe; a fotografia oficial de novembro de 2007 documenta-a.","is_featured":true,"status":"approved","tags":["carved","scratching-the-surface","early-work","landmark"],"hero":{"src":"/images/01d9e515f809aeeabe8ff567738e6a41-1024.webp","srcset":"/images/01d9e515f809aeeabe8ff567738e6a41-480.webp 480w, /images/01d9e515f809aeeabe8ff567738e6a41-960.webp 960w, /images/01d9e515f809aeeabe8ff567738e6a41-1024.webp 1024w","w":1024,"h":683},"gallery":[{"src":"/images/6f39d77080057a5c51d9b677a3bf95b7-600.webp","srcset":"/images/6f39d77080057a5c51d9b677a3bf95b7-480.webp 480w, /images/6f39d77080057a5c51d9b677a3bf95b7-600.webp 600w","w":600,"h":400},{"src":"/images/cb7b775e418c53ac79396912774f66ad-960.webp","srcset":"/images/cb7b775e418c53ac79396912774f66ad-480.webp 480w, /images/cb7b775e418c53ac79396912774f66ad-960.webp 960w, /images/cb7b775e418c53ac79396912774f66ad-1417.webp 1417w","w":1417,"h":1063,"caption":"Carving the first wall — Visual Street Performance 2007, Fábrica do Braço de Prata, November 2007 (personal archive)"},{"src":"/images/57832dcf56d74519351d28b3d11c7a91-960.webp","srcset":"/images/57832dcf56d74519351d28b3d11c7a91-480.webp 480w, /images/57832dcf56d74519351d28b3d11c7a91-960.webp 960w, /images/57832dcf56d74519351d28b3d11c7a91-1417.webp 1417w","w":1417,"h":1063,"caption":"The first carved wall — VSP 2007, Fábrica do Braço de Prata, November 2007 (personal archive)"}],"hero_alt":"First Carved Wall (Visual Street Performance 2007) — Walls work, 2007, Lisbon, Portugal","hero_alt_pt":"First Carved Wall (Visual Street Performance 2007) — Paredes, 2007, Lisboa, Portugal","related":[{"slug":"scratching-the-surface-braco-de-prata-2007","rel":"place","kind":"work"},{"slug":"vsp-2007-lisbon","rel":"place","kind":"exhibition"}]},{"id":"enrich-cargo-cbf0a2eb8cb8","slug":"scratching-the-surface-braco-de-prata-2007","title":"Scratching the Surface — Braço de Prata","title_pt":null,"type":"unique_piece","medium":"Walls","year":2007,"month":null,"exact_date":null,"city":"Lisbon","country":"Portugal","country_code":"PT","venue":"Fábrica do Braço de Prata","address":null,"lat":38.7438,"lng":-9.1012,"technique":"Painted and carved wall (scratching the surface)","materials":null,"dimensions":null,"surface":"Rendered rubble-stone wall","description":"Carved on a rendered street wall outside the Fábrica do Braço de Prata in Lisbon, this early 'scratching the surface' intervention reveals a woman's face by removing the grey plaster to expose the rubble-stone masonry beneath. Painted white with dark, dripping eyes and mouth, the portrait sits within a shallow excavated recess beside a decorative blind arch. Made around the time of the Visual Street Performance 2007, it belongs to the emergence of the carving technique that Vhils developed at Braço de Prata.","description_pt":"Escavada numa parede de rua rebocada no exterior da Fábrica do Braço de Prata, em Lisboa, esta intervenção inicial 'scratching the surface' revela o rosto de uma mulher ao remover o reboco cinzento para expor a alvenaria de pedra irregular por baixo. Pintado de branco, com olhos e boca escuros e escorridos, o retrato situa-se numa reentrância escavada pouco profunda, ao lado de um arco cego decorativo. Feita por volta da época do Visual Street Performance 2007, pertence ao surgimento da técnica de escavação que Vhils desenvolveu no Braço de Prata.","is_featured":false,"status":"approved","tags":["carved","scratching-the-surface","early-work"],"hero":{"src":"/images/cbf0a2eb8cb856df8704f4c14caffd2c-1200.webp","srcset":"/images/cbf0a2eb8cb856df8704f4c14caffd2c-480.webp 480w, /images/cbf0a2eb8cb856df8704f4c14caffd2c-960.webp 960w, /images/cbf0a2eb8cb856df8704f4c14caffd2c-1200.webp 1200w","w":1200,"h":1600},"gallery":[],"series":"scratching the surface series","hero_alt":"Scratching the Surface — Braço de Prata — Walls work, 2007, Lisbon, Portugal","hero_alt_pt":"Scratching the Surface — Braço de Prata — Paredes, 2007, Lisboa, Portugal","related":[{"slug":"first-carving-braco-de-prata-2007","rel":"place","kind":"work"},{"slug":"vsp-2007-lisbon","rel":"place","kind":"exhibition"}]},{"id":"enrich-cargo-5880881f295c","slug":"truth-vsp-2006","title":"Truth","title_pt":null,"type":"unique_piece","medium":"Walls","year":2006,"month":null,"exact_date":null,"city":"Lisbon","country":"Portugal","country_code":"PT","venue":"Visual Street Performance II, Espaço Interpress, Bairro Alto","address":null,"lat":null,"lng":null,"technique":"Stencil and bleach/drip painting on freestanding white wall panels, with mounted canvases","materials":null,"dimensions":null,"surface":null,"description":"Truth is an early mixed-media installation the artist presented at Visual Street Performance II, the 2006 edition of the Lisbon street-art event, held at Espaço Interpress in Bairro Alto. Staged across freestanding white wall panels within an industrial hall, it combined a black stencil collage — an elderly face, foliage silhouettes and a concentric target motif swept by a mass of brown bleach drips — with a panoramic cityscape of tower blocks and a boat-lined waterfront rendered in the same bleach technique, alongside two mounted canvases. The piece dates from the artist's formative exhibition period, when his signature bleach-and-stencil language on found surfaces was taking shape.","description_pt":"Truth é uma instalação inicial de técnica mista que o artista apresentou no Visual Street Performance II, a edição de 2006 do evento de arte urbana de Lisboa, realizado no Espaço Interpress, no Bairro Alto. Encena em painéis brancos autoportantes dentro de um pavilhão industrial, combinava uma colagem preta em stencil — um rosto idoso, silhuetas de folhagem e um motivo de alvo concêntrico atravessado por uma massa de escorrimentos castanhos de lixívia — com uma paisagem urbana panorâmica de torres habitacionais e uma frente ribeirinha com barcos, realizada na mesma técnica de lixívia, ao lado de duas telas montadas. A peça data do período expositivo formativo do artista, quando a sua linguagem característica de lixívia e stencil sobre superfícies encontradas começava a tomar forma.","is_featured":false,"status":"approved","tags":["enriched","cargo-2012"],"hero":{"src":"/images/5880881f295c7911c08ebc5137b2ab57-800.webp","srcset":"/images/5880881f295c7911c08ebc5137b2ab57-480.webp 480w, /images/5880881f295c7911c08ebc5137b2ab57-800.webp 800w","w":800,"h":533},"gallery":[{"src":"/images/ef20e231c6b44cfc544c45d853e03f56-600.webp","srcset":"/images/ef20e231c6b44cfc544c45d853e03f56-480.webp 480w, /images/ef20e231c6b44cfc544c45d853e03f56-600.webp 600w","w":600,"h":399},{"src":"/images/ff847e3e68046946632024555a7eea3a-352.webp","srcset":"/images/ff847e3e68046946632024555a7eea3a-352.webp 352w","w":352,"h":475}],"hero_alt":"Truth — Walls work, 2006, Lisbon, Portugal","hero_alt_pt":"Truth — Paredes, 2006, Lisboa, Portugal","related":[{"slug":"building-3-steps-2006","rel":"place","kind":"exhibition"},{"slug":"compact-life-2006","rel":"place","kind":"exhibition"},{"slug":"building-3-steps-part-ii-2006","rel":"place","kind":"exhibition"},{"slug":"building-3-steps-part-iii-2006","rel":"place","kind":"exhibition"},{"slug":"arte-lisboa-2006","rel":"place","kind":"exhibition"},{"slug":"vsp-2006-lisbon","rel":"place","kind":"exhibition"}]},{"id":"enrich-mr-bb4c75839004","slug":"scratching-the-surface-project-recife","title":"Scratching the Surface Project — Recife","title_pt":null,"type":"wall","medium":"Walls","year":2014,"month":11,"exact_date":null,"city":"Recife","country":"Brazil","country_code":"BR","venue":"Cais de Santa Rita, São José, central Recife","address":null,"lat":-8.057778,"lng":-34.872778,"technique":"Carved wall (plaster excavated to brick, with stencil painting)","materials":null,"dimensions":null,"surface":null,"description":"Monumental carved portrait on the tall gable wall of a building at Cais de Santa Rita in central Recife, excavated through the plaster render down to the exposed brick beneath. The face is that of a female teacher from the Aracaí indigenous village in Paraná, whom the artist met during his 2014 residency with the Guarani community at Piraquara — linking this wall to the Aldeia de Araçaí project of the same year. It was produced in November 2014 in the period of the solo exhibition Incisão at CAIXA Cultural Recife (22 November 2014 – 25 January 2015) and carries the VHILS signature at its lower right. The mural was destroyed — painted over in mid-2024.","description_pt":"Retrato monumental escavado na alta parede de empena de um edifício no Cais de Santa Rita, no centro do Recife, removendo o reboco até ao tijolo exposto por baixo. O rosto é o de uma professora da aldeia indígena Aracaí, no Paraná, que o artista conheceu durante a sua residência de 2014 com a comunidade Guarani em Piraquara — ligando esta parede ao projeto Aldeia de Araçaí do mesmo ano. Foi produzido em novembro de 2014, no período da exposição individual Incisão na CAIXA Cultural Recife (22 de novembro de 2014 – 25 de janeiro de 2015), e apresenta a assinatura VHILS no canto inferior direito. O mural foi destruído — pintado por cima em meados de 2024.","is_featured":false,"status":"approved","tags":["carved","portrait","enriched","master-review"],"hero":{"src":"/images/bb4c758390045787c974d1d9a78ba0e4-960.webp","srcset":"/images/bb4c758390045787c974d1d9a78ba0e4-480.webp 480w, /images/bb4c758390045787c974d1d9a78ba0e4-960.webp 960w, /images/bb4c758390045787c974d1d9a78ba0e4-1600.webp 1600w, /images/bb4c758390045787c974d1d9a78ba0e4-5760.webp 5760w","w":5760,"h":3840,"caption":"Scratching the Surface project | Recife — Photo: André Santos"},"hero_alt":"Scratching the Surface Project — Recife — Walls work, 2014, Recife, Brazil","gallery":[],"series":"scratching the surface series","hero_alt_pt":"Scratching the Surface Project — Recife — Paredes, 2014, Recife, Brasil","related":[{"slug":"incisao-recife-brasil-2014","rel":"place","kind":"exhibition"}]},{"id":"enrich-f2-b0fe0c6d440a","slug":"scratching-the-surface-project-hong-kong-2013","title":"Scratching the Surface Project — Hong Kong (2013)","title_pt":null,"type":"unique_piece","medium":"Walls","year":2013,"month":5,"exact_date":null,"city":"Hong Kong","country":"Hong Kong","country_code":"HK","venue":"Somerset House, Taikoo Place — 'Work in Progress' group exhibition (Above Second)","address":"Taikoo Place Somerset House, 979 King's Road, Hong Kong","lat":22.287409,"lng":114.212754,"technique":null,"materials":null,"dimensions":null,"surface":null,"description":"Panoramic wall carved in Hong Kong in 2013 for the Scratching the Surface project. Two portraits — a younger face on the left, an older man in a flat cap on the right — flank a dense cityscape of towers, rooflines and lattice motifs excavated through the white plaster into the red brick beneath, with the debris of the carving left along the base of the wall.","description_pt":"Parede panorâmica escavada em Hong Kong em 2013 para o projeto Scratching the Surface. Dois retratos — um rosto jovem à esquerda, um homem mais velho de boina à direita — ladeiam uma paisagem urbana densa de torres, telhados e motivos de gelosia, escavada através do reboco branco até ao tijolo vermelho por baixo, com os detritos da escavação deixados ao longo da base da parede.","is_featured":false,"status":"approved","tags":["enriched","master-review","date-approx","carved"],"hero_alt":"Scratching the Surface Project — Hong Kong (2013) — Walls work, 2013, Hong Kong, Hong Kong","hero":{"src":"/images/ca2f227939f1f532abd7385104b5485d-2300.webp","srcset":"/images/ca2f227939f1f532abd7385104b5485d-480.webp 480w, /images/ca2f227939f1f532abd7385104b5485d-960.webp 960w, /images/ca2f227939f1f532abd7385104b5485d-1600.webp 1600w, /images/ca2f227939f1f532abd7385104b5485d-2300.webp 2300w","w":2300,"h":490},"gallery":[],"related":[{"slug":"cyrcle-collaboration-hong-kong","rel":"place","kind":"project"}],"series":"scratching the surface series","hero_alt_pt":"Scratching the Surface Project — Hong Kong (2013) — Paredes, 2013, Hong Kong, Hong Kong"},{"id":"enrich-f2-5846ae5ace70","slug":"rabo-de-peixe-rua-do-porto-2013","title":"Untitled (Rua do Porto, Rabo de Peixe)","title_pt":null,"type":"wall","medium":"Walls","year":2013,"month":7,"exact_date":null,"city":"Rabo de Peixe","country":"Portugal","country_code":"PT","venue":null,"address":"R. do Porto, 9600 Rabo de Peixe, Portugal","lat":37.817484742296216,"lng":-25.581837816394,"technique":null,"materials":null,"dimensions":null,"surface":"Gable wall of a ruined building, plaster over white glazed tiles","description":"A large-scale portrait of an elderly woman with glasses, smiling, carved in July 2013 into the gable wall of a ruined building at the foot of Rua do Porto, the street running down to the harbour of Rabo de Peixe, a fishing community on the north coast of São Miguel, Azores. The plaster was chiselled back to the wall's white glazed tiles, so the face emerges from the building's decaying layers and closes the view down the narrow street of brightly painted houses. Made during the Walk & Talk urban art festival as part of the Scratching the Surface project, it is one of two walls Vhils carved in Rabo de Peixe on that trip, alongside Sr. Bonança by the harbour.","description_pt":"Um retrato de grande escala de uma mulher idosa com óculos, a sorrir, escavado em julho de 2013 na parede de empena de um edifício em ruínas, ao fundo da Rua do Porto, a rua que desce até ao porto de Rabo de Peixe, comunidade piscatória na costa norte de São Miguel, nos Açores. O reboco foi removido até aos azulejos brancos vidrados da parede, fazendo o rosto emergir das camadas em decomposição do edifício e fechar a vista da rua estreita de casas pintadas de cores vivas. 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cm.","is_featured":false,"status":"approved","tags":["portfolio-2025","enriched","series:umbra"],"hero":{"src":"/images/85b391d61c94165a3ddb1b848c46fa55-2048.webp","srcset":"/images/85b391d61c94165a3ddb1b848c46fa55-480.webp 480w, /images/85b391d61c94165a3ddb1b848c46fa55-960.webp 960w, /images/85b391d61c94165a3ddb1b848c46fa55-1600.webp 1600w, /images/85b391d61c94165a3ddb1b848c46fa55-2048.webp 2048w","w":2048,"h":1945,"caption":"VHILSTUDIO Artist Portfolio 2025, official"},"hero_alt":"Umbra Series #02, 2020 — Billboards work, 2020","gallery":[],"_provenance":{"hero":"VHILSTUDIO Artist Portfolio 2025, official","source_pages":null},"series":"umbra series","hero_alt_pt":"Umbra Series #02, 2020 — Outdoors, 2020","related":[{"slug":"billbords-umbra-series-2020hand-carved","rel":"series","kind":"work"}]},{"id":"enrich-cargo-52d973096416","slug":"remains-1","title":"Remains 1","title_pt":null,"type":"unique_piece","medium":"Billboards","year":2008,"month":null,"exact_date":null,"city":null,"country":"Portugal","country_code":"PT","venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved advertising posters","dimensions":null,"surface":null,"description":"A dense, glossy slab built up from layers of torn and superimposed street advertising posters, photographed as a free-standing mass against a black ground. Legible fragments include a Portuguese café advertisement and, at its base, part of a Museu Colecção Berardo poster. The artist identifies the piece as part of a series titled Remains, published in the Billboards section of his Cargo Collective portfolio.","description_pt":"Uma placa densa e brilhante, construída a partir de camadas de cartazes publicitários de rua rasgados e sobrepostos, fotografada como uma massa autónoma contra um fundo preto. Entre os fragmentos legíveis incluem-se um anúncio português de café e, na base, parte de um cartaz do Museu Colecção Berardo. O artista identifica a peça como parte de uma série intitulada Remains, publicada na secção Billboards do seu portefólio Cargo Collective.","is_featured":false,"status":"approved","tags":["enriched","cargo-2012"],"hero":{"src":"/images/91c3d156c2e1ec4216f16a0394446d29-1200.webp","srcset":"/images/91c3d156c2e1ec4216f16a0394446d29-480.webp 480w, /images/91c3d156c2e1ec4216f16a0394446d29-960.webp 960w, /images/91c3d156c2e1ec4216f16a0394446d29-1200.webp 1200w","w":1200,"h":1785},"gallery":[{"src":"/images/530a515e6e9f583d3a67166d7216887c-960.webp","srcset":"/images/530a515e6e9f583d3a67166d7216887c-480.webp 480w, /images/530a515e6e9f583d3a67166d7216887c-960.webp 960w, /images/530a515e6e9f583d3a67166d7216887c-1600.webp 1600w, /images/530a515e6e9f583d3a67166d7216887c-2048.webp 2048w","w":2048,"h":1536,"caption":"The panel on the street — October 2009 (personal archive)"}],"hero_alt":"Remains 1 — Billboards work, 2008, Portugal","hero_alt_pt":"Remains 1 — Outdoors, 2008, Portugal"},{"id":"enrich-cargo-d3b6094bdb2d","slug":"east-london-billboard","title":"Untitled (East London Billboard)","title_pt":null,"type":"unique_piece","medium":"Billboards","year":null,"month":null,"exact_date":null,"city":"London","country":"United Kingdom","country_code":"GB","venue":null,"address":null,"lat":51.5074,"lng":-0.1278,"technique":null,"materials":"Hand-carved advertising posters","dimensions":null,"surface":null,"description":"A white-pasted advertising hoarding cut and torn to reveal a composition in which a cluster of tower blocks resolves, at the right, into a man's face; the work is signed VHILS at the lower right and strips of blue backing paper hang loose along its edges. It is mounted on a dark brick wall in East London, beneath a Victorian industrial warehouse with metal-framed windows. The artist locates the work in London and dates it to around 2008–2009, the period of his early London billboard interventions. It is distinct from the framed Empty Faces studio works of the same era.","description_pt":"Um suporte publicitário colado a branco, cortado e rasgado para revelar uma composição em que um conjunto de torres habitacionais se resolve, à direita, no rosto de um homem; a obra está assinada VHILS no canto inferior direito e tiras de papel de suporte azul pendem soltas ao longo das margens. Está montada numa parede de tijolo escuro em East London, por baixo de um armazém industrial vitoriano com janelas de caixilharia metálica. O artista situa a obra em Londres e data-a de cerca de 2008–2009, período das suas primeiras intervenções em outdoors londrinos. É distinta das obras de estúdio emolduradas Empty Faces da mesma época.","is_featured":false,"status":"approved","tags":["enriched","cargo-2012"],"hero":{"src":"/images/619dda8612960b180e519b219181d32b-2048.webp","srcset":"/images/619dda8612960b180e519b219181d32b-480.webp 480w, /images/619dda8612960b180e519b219181d32b-960.webp 960w, /images/619dda8612960b180e519b219181d32b-1600.webp 1600w, /images/619dda8612960b180e519b219181d32b-2048.webp 2048w","w":2048,"h":1536},"gallery":[],"hero_alt":"Untitled (East London Billboard) — Billboards work, London, United Kingdom","hero_alt_pt":"Untitled (East London Billboard) — Outdoors, Londres, Reino Unido"},{"id":"enrich-cargo-faec043f5290","slug":"london-framed-billboard","title":"Untitled (London Billboard)","title_pt":null,"type":"unique_piece","medium":"Billboards","year":null,"month":null,"exact_date":null,"city":"London","country":"United Kingdom","country_code":"GB","venue":null,"address":null,"lat":51.5074,"lng":-0.1278,"technique":null,"materials":"Hand-carved advertising posters","dimensions":null,"surface":null,"description":"A framed roadside advertising billboard — its panel numbered 060001 at the upper right — mounted on a wall of yellow London stock brick. Its black advertising ground and overlying white poster layers have been torn and cut so that several faces emerge from the debris, with a bearded man's face resolved at the right and fragments of green advertising text left legible. The artist locates the intervention in London. It is published in the Billboards section of his Cargo Collective portfolio.","description_pt":"Um outdoor publicitário de estrada emoldurado — com o painel numerado 060001 no canto superior direito — montado numa parede de tijolo amarelo londrino. O fundo publicitário preto e as camadas sobrepostas de cartazes brancos foram rasgados e cortados de modo a que vários rostos emerjam dos detritos, com o rosto de um homem barbado resolvido à direita e fragmentos de texto publicitário verde ainda legíveis. O artista situa a intervenção em Londres. 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A pale figure emerges at the centre against a dark, stippled poster ground, with a carved eye at the right edge and an inverted dark-red poster band with white lettering at the lower right; runs of white paint and blue spatter track down the strata, with brick-patterned and photographic poster fragments legible in the debris. The artist places it among his early works from the Lazarides period — around the time of his first show with the gallery (Scratching the Surface, Lazarides Gallery, London, 2009) — or even before. Published by the artist in the Billboards section of his Cargo Collective portfolio.","description_pt":"Uma obra inicial em outdoor, construída a partir de camadas acumuladas de cartazes publicitários, rasgadas e cortadas através de uma sobrepintura branca. Uma figura pálida emerge no centro contra um fundo escuro e pontilhado de cartaz, com um olho escavado na margem direita e uma faixa invertida de cartaz vermelho-escuro com letras brancas no canto inferior direito; escorrimentos de tinta branca e salpicos azuis descem pelos estratos, com fragmentos de cartaz com padrão de tijolo e de base fotográfica legíveis nos detritos. O artista situa-a entre as suas primeiras obras do período Lazarides — por volta da sua primeira exposição com a galeria (Scratching the Surface, Lazarides Gallery, Londres, 2009) — ou até antes. 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Portrait heads and an ear motif are carved and torn from thick layers of street advertising posters — Portuguese fragments such as Teatro da Trindade playbills remain legible — with white overpaint and stencilled lettering, photographed hung on white gallery walls.","description_pt":"Uma série de painéis de décollage de cartazes, intervencionada com stencil com o slogan consumista 'Compro, Logo Existo' ('I buy, therefore I am'), agrupada pelo artista sob o ano de 2009. Cabeças em retrato e um motivo de orelha são escavados e rasgados de espessas camadas de cartazes publicitários de rua — fragmentos portugueses como cartazes de espetáculos do Teatro da Trindade permanecem legíveis — com sobrepintura branca e letras em stencil, fotografados pendurados em paredes brancas de galeria.","is_featured":false,"status":"approved","tags":["master-review-final","afarto","early-work","series"],"hero":{"src":"/images/12430b07ca918a8e791a1c07d1edfdc5-864.webp","srcset":"/images/12430b07ca918a8e791a1c07d1edfdc5-480.webp 480w, /images/12430b07ca918a8e791a1c07d1edfdc5-864.webp 864w","w":864,"h":1299},"gallery":[{"src":"/images/f0d860287ed3fece9885316eebb7b922-503.webp","srcset":"/images/f0d860287ed3fece9885316eebb7b922-480.webp 480w, /images/f0d860287ed3fece9885316eebb7b922-503.webp 503w","w":503,"h":647},{"src":"/images/640988a1bf6f7b62c4fcad1d47b5d49e-500.webp","srcset":"/images/640988a1bf6f7b62c4fcad1d47b5d49e-480.webp 480w, /images/640988a1bf6f7b62c4fcad1d47b5d49e-500.webp 500w","w":500,"h":750},{"src":"/images/948c29f8b72c3c713183bc75ff138eb5-521.webp","srcset":"/images/948c29f8b72c3c713183bc75ff138eb5-480.webp 480w, /images/948c29f8b72c3c713183bc75ff138eb5-521.webp 521w","w":521,"h":600},{"src":"/images/f76d6871328d5f5daae0e49f09b87a3c-600.webp","srcset":"/images/f76d6871328d5f5daae0e49f09b87a3c-480.webp 480w, /images/f76d6871328d5f5daae0e49f09b87a3c-600.webp 600w","w":600,"h":699},{"src":"/images/21da6ff9b9ac2953cf533c1ff54596b2-864.webp","srcset":"/images/21da6ff9b9ac2953cf533c1ff54596b2-480.webp 480w, /images/21da6ff9b9ac2953cf533c1ff54596b2-864.webp 864w","w":864,"h":1299},{"src":"/images/f6ba94b11350807a10e4e9416a94277c-864.webp","srcset":"/images/f6ba94b11350807a10e4e9416a94277c-480.webp 480w, /images/f6ba94b11350807a10e4e9416a94277c-864.webp 864w","w":864,"h":1299},{"src":"/images/9863fd9bc0638b392b1b0177880b9a89-864.webp","srcset":"/images/9863fd9bc0638b392b1b0177880b9a89-480.webp 480w, /images/9863fd9bc0638b392b1b0177880b9a89-864.webp 864w","w":864,"h":1299},{"src":"/images/9c77645bae00cf64521736318e9cf3a6-864.webp","srcset":"/images/9c77645bae00cf64521736318e9cf3a6-480.webp 480w, /images/9c77645bae00cf64521736318e9cf3a6-864.webp 864w","w":864,"h":1299}],"hero_alt":"Compro, Logo Existo — Billboards work, 2009, Lisbon, Portugal","hero_alt_pt":"Compro, Logo Existo — Outdoors, 2009, Lisboa, Portugal","related":[{"slug":"vsp-2009-lisbon","rel":"place","kind":"exhibition"}]},{"id":"enrich-mrf-66944e76858b","slug":"overload-series-2013","title":"Overload Series","title_pt":null,"type":"unique_piece","medium":"Billboards","year":2013,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved layered street advertising posters","dimensions":null,"surface":null,"description":"A group of five distinct works from the Overload Series, published together by the artist under the series heading in the 2013 block of his own website's Billboards section. Frontal and upturned portrait heads are hand-carved through stacks of collected street posters and dissolve into fields of small cut pinwheel-triangle and checker patterning drawn from the azulejo vocabulary; Portuguese campaign-poster fragments surface along the edges. Individual work numbers were not published — the archive holds the numbered sibling Overload Series #09 separately — so the set is kept together as the artist grouped it.","description_pt":"Um grupo de cinco obras distintas da Overload Series, publicadas em conjunto pelo artista sob o título da série no bloco de 2013 da secção Billboards do seu próprio site. Cabeças em retrato, frontais e voltadas para cima, são escavadas à mão através de pilhas de cartazes de rua recolhidos e dissolvem-se em campos de pequenos padrões de triângulos em cata-vento recortados e xadrezes, derivados do vocabulário do azulejo; fragmentos de cartazes de campanha portugueses afloram nas margens. Não foram publicados números individuais das obras — o arquivo conserva separadamente a obra irmã numerada Overload Series #09 — pelo que o conjunto é mantido reunido como o artista o agrupou.","is_featured":false,"status":"approved","tags":["master-review-final","afarto","series"],"hero":{"src":"/images/66944e76858bd70466151f4f2dde3f69-850.webp","srcset":"/images/66944e76858bd70466151f4f2dde3f69-480.webp 480w, /images/66944e76858bd70466151f4f2dde3f69-850.webp 850w","w":850,"h":1280},"gallery":[{"src":"/images/830ff86ca26a1c1c1f71a267f99f7e5a-850.webp","srcset":"/images/830ff86ca26a1c1c1f71a267f99f7e5a-480.webp 480w, /images/830ff86ca26a1c1c1f71a267f99f7e5a-850.webp 850w","w":850,"h":1279},{"src":"/images/ea2aa525733b59354dd33f5a38654c73-850.webp","srcset":"/images/ea2aa525733b59354dd33f5a38654c73-480.webp 480w, /images/ea2aa525733b59354dd33f5a38654c73-850.webp 850w","w":850,"h":1275},{"src":"/images/efb0e0c1c71f84b4c85b097651a55c2e-850.webp","srcset":"/images/efb0e0c1c71f84b4c85b097651a55c2e-480.webp 480w, /images/efb0e0c1c71f84b4c85b097651a55c2e-850.webp 850w","w":850,"h":1276},{"src":"/images/4b2b93911a813894b67bdc7fbed9048f-850.webp","srcset":"/images/4b2b93911a813894b67bdc7fbed9048f-480.webp 480w, /images/4b2b93911a813894b67bdc7fbed9048f-850.webp 850w","w":850,"h":1276}],"series":"overload series","hero_alt":"Overload Series — Billboards work, 2013","hero_alt_pt":"Overload Series — Outdoors, 2013","related":[{"slug":"overload-series-09-2013-bk","rel":"series","kind":"work"}]},{"id":"enrich-mrf-ea2073b49ab4","slug":"homogeneo-series-untitled-2013","title":"Homogéneo Series","title_pt":null,"type":"unique_piece","medium":"Billboards","year":2013,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":"Torn and layered advertising posters with diamond-grid patterning","materials":"Torn and layered advertising posters","dimensions":null,"surface":null,"description":"A large frontal portrait emerging from torn poster layers — Portuguese poster fragments ('EM…EMPREG…', 'FEIRA') remain legible — framed by white-and-dark diamond-grid patterning, the same series language as Homogéneo Series #02 (2012) already in the archive. The artist's own filename ('homogeneo 4') suggests plate number 4, but series numbering from filenames has a proven mismatch case, so the number is withheld pending the artist's confirmation.","description_pt":"Um grande retrato frontal que emerge de camadas de cartazes rasgados — fragmentos de cartazes portugueses ('EM…EMPREG…', 'FEIRA') permanecem legíveis — enquadrado por um padrão de grelha de losangos em branco e escuro, a mesma linguagem de série de Homogéneo Series #02 (2012), já existente no arquivo. O nome de ficheiro do próprio artista ('homogeneo 4') sugere a placa número 4, mas a numeração de séries a partir de nomes de ficheiro tem um caso comprovado de discrepância, pelo que o número fica retido até confirmação do artista.","is_featured":false,"status":"approved","tags":["master-review-final","afarto","series"],"hero":{"src":"/images/ea2073b49ab4562992e8d1f3e27968b2-850.webp","srcset":"/images/ea2073b49ab4562992e8d1f3e27968b2-480.webp 480w, /images/ea2073b49ab4562992e8d1f3e27968b2-850.webp 850w","w":850,"h":1258},"series":"homogéneo series","hero_alt":"Homogéneo Series — Billboards work, 2013","hero_alt_pt":"Homogéneo Series — Outdoors, 2013","related":[{"slug":"homogeneo-series-02-2012-bk","rel":"series","kind":"work"}]},{"id":"enrich-mrf-28e1f424d819","slug":"visual-cacophony-series-2013","title":"Visual Cacophony Series","title_pt":null,"type":"unique_piece","medium":"Billboards","year":2013,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved layered advertising posters","dimensions":null,"surface":null,"description":"The Visual Cacophony Series is a 2013 work hand-carved into layered advertising posters, published in the 2013 block of the artist's website Billboards section. A white carved portrait emerges from torn layered posters in magenta, black and fluorescent yellow-green, with halftone dots and lettering fragments exposed through the strata. It is the only documented piece published under this series heading; no series number was published and none is invented.","description_pt":"A Visual Cacophony Series é uma obra de 2013 escavada à mão em cartazes publicitários estratificados, publicada no bloco de 2013 da secção Billboards do site do artista. Um retrato branco emerge de cartazes rasgados e estratificados em magenta, preto e amarelo-verde fluorescente, com pontos de retícula e fragmentos de letras expostos através dos estratos. É a única peça documentada publicada sob este título de série; não foi publicado qualquer número de série e nenhum é inventado.","is_featured":false,"status":"approved","tags":["master-review-final","afarto","series"],"hero":{"src":"/images/28e1f424d8196ab821c654e06b85d900-850.webp","srcset":"/images/28e1f424d8196ab821c654e06b85d900-480.webp 480w, /images/28e1f424d8196ab821c654e06b85d900-850.webp 850w","w":850,"h":1276},"gallery":[],"series":"visual cacophony series","hero_alt":"Visual Cacophony Series — Billboards work, 2013","hero_alt_pt":"Visual Cacophony Series — Outdoors, 2013"},{"id":"enrich-mrf-3410fec67fd8","slug":"untitled-carved-posters-2012","title":"Untitled (Carved Posters, 2012)","title_pt":null,"type":"unique_piece","medium":"Billboards","year":2012,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Layered street advertising posters, hand-carved","dimensions":null,"surface":null,"description":"A female portrait cut and torn through a thick, irregular stack of layered street posters — fragments such as 'RA', 'SPORT' and 'ANTEC…' remain legible — photographed on a white ground. The artist's own 2013 website lists it in the Billboards section under its own caption 'Untitled' in the 2012 year group, immediately before the Devoid solo-show block. Location unpublished.","description_pt":"Um retrato feminino cortado e rasgado através de uma pilha espessa e irregular de cartazes de rua estratificados — fragmentos como 'RA', 'SPORT' e 'ANTEC…' permanecem legíveis — fotografado sobre fundo branco. O próprio site de 2013 do artista lista-o na secção Billboards sob a legenda própria 'Untitled', no grupo do ano 2012, imediatamente antes do bloco da exposição individual Devoid. Localização não publicada.","is_featured":false,"status":"approved","tags":["master-review-final","afarto"],"hero":{"src":"/images/3410fec67fd83d70dc03a0212c30b56c-670.webp","srcset":"/images/3410fec67fd83d70dc03a0212c30b56c-480.webp 480w, /images/3410fec67fd83d70dc03a0212c30b56c-670.webp 670w","w":670,"h":822},"hero_alt":"Untitled (Carved Posters, 2012) — Billboards work, 2012","hero_alt_pt":"Untitled (Carved Posters, 2012) — Outdoors, 2012"},{"id":"enrich-mrf-249b9b0a3253","slug":"empty-faces-old-man-portrait-2007","title":"Empty Faces (Old Man Portrait, 2007)","title_pt":null,"type":"unique_piece","medium":"Billboards","year":2007,"month":null,"exact_date":null,"city":null,"country":"Portugal","country_code":"PT","venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Carved and torn wheat-pasted street posters","dimensions":null,"surface":null,"description":"An elderly male face with deeply carved shadow features emerging from pale, cream-white poster strata, coloured poster fragments at the torn margins, photographed cut out on white with a Barbot paint tin at its base. From the artist's own 2008-era site (Gen A folder 'Empty Faces'; photos dated 15–17 September 2007 by his own filenames). Physically distinct from every other Empty Faces record in the archive; the Portuguese Barbot paint brand and poster fragments ground the country.","description_pt":"Um rosto masculino idoso, com feições de sombra profundamente escavadas, emergindo de estratos de cartaz pálidos, branco-creme, com fragmentos de cartaz coloridos nas margens rasgadas, fotografado recortado sobre branco com uma lata de tinta Barbot na base. Do próprio site do artista da época de 2008 (pasta Gen A 'Empty Faces'; fotografias datadas de 15–17 de setembro de 2007 pelos seus próprios nomes de ficheiro). Fisicamente distinto de todos os outros registos Empty Faces no arquivo; a marca portuguesa de tintas Barbot e os fragmentos de cartaz ancoram o país.","is_featured":false,"status":"approved","tags":["master-review-final","afarto","early-work"],"hero":{"src":"/images/249b9b0a3253b5e253311ad32e2a2781-800.webp","srcset":"/images/249b9b0a3253b5e253311ad32e2a2781-480.webp 480w, /images/249b9b0a3253b5e253311ad32e2a2781-800.webp 800w","w":800,"h":819},"hero_alt":"Empty Faces (Old Man Portrait, 2007) — Billboards work, 2007, Portugal","hero_alt_pt":"Empty Faces (Old Man Portrait, 2007) — Outdoors, 2007, Portugal"}]},{"slug":"wood","name":"wood","count":61,"hero":{"id":"1f1a400c-80e9-49e1-8c34-4ff84f073145","slug":"still-series-02-2016-bk","title":"Still Series #02","title_pt":null,"type":"unique_piece","medium":"Wood","year":2016,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved old wooden doors","dimensions":"187 × 109 cm","surface":null,"description":"Carved wooden panel portrait, the face emerging from the grain through subtraction; tonal contrasts worked directly into the surface in warm brown and pale wood tones.","description_pt":"Retrato em painel de madeira escavada, com o rosto a emergir do veio por subtração; contrastes tonais trabalhados diretamente na superfície em tons quentes de castanho e madeira clara.","is_featured":true,"status":"approved","tags":["carved","wood","studio-series","portrait"],"hero":{"src":"/images/939f5b77b37e8b3b108bf5a334756489-1600.webp","srcset":"/images/939f5b77b37e8b3b108bf5a334756489-480.webp 480w, /images/939f5b77b37e8b3b108bf5a334756489-960.webp 960w, /images/939f5b77b37e8b3b108bf5a334756489-1600.webp 1600w","w":1600,"h":1281},"gallery":[{"src":"/images/4eff5803a34899218dfc1aca0c376668-960.webp","srcset":"/images/4eff5803a34899218dfc1aca0c376668-960.webp 960w","w":1400,"h":2100}],"series":"still series","hero_alt":"Still Series #02 — Wood work, 2016","hero_alt_pt":"Still Series #02 — Madeira, 2016","related":[{"slug":"still-series-03-2016-bk","rel":"series","kind":"work"},{"slug":"still-series-08-2017-bk","rel":"series","kind":"work"},{"slug":"still-series-01-02-05-2016","rel":"series","kind":"work"},{"slug":"still-series-4-2016","rel":"series","kind":"work"},{"slug":"still-series-7-2017","rel":"series","kind":"work"},{"slug":"still-series-9-2017","rel":"series","kind":"work"}]},"items":[{"id":"1f1a400c-80e9-49e1-8c34-4ff84f073145","slug":"still-series-02-2016-bk","title":"Still Series #02","title_pt":null,"type":"unique_piece","medium":"Wood","year":2016,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved old wooden doors","dimensions":"187 × 109 cm","surface":null,"description":"Carved wooden panel portrait, the face emerging from the grain through subtraction; 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Original hardware fittings and recessed door panels remain visible, anchoring the figure within the object's prior domestic life.","description_pt":"Um retrato verticalmente alongado emerge de uma porta recuperada pintada de azul, o rosto escavado em vista de três quartos através de trabalho pontilhado de cinzel que retira camadas de tinta para revelar a madeira crua por baixo. Ferragens originais e painéis rebaixados da porta permanecem visíveis, ancorando a figura na vida doméstica anterior do objeto.","is_featured":false,"status":"approved","tags":["carved","wood","minutiae-series","studio-series","portrait"],"hero":{"src":"/images/f3e0c607adf2db365a7b36059531fd2f-3840.webp","srcset":"/images/f3e0c607adf2db365a7b36059531fd2f-480.webp 480w, /images/f3e0c607adf2db365a7b36059531fd2f-960.webp 960w, /images/f3e0c607adf2db365a7b36059531fd2f-1600.webp 1600w, /images/f3e0c607adf2db365a7b36059531fd2f-2400.webp 2400w, /images/f3e0c607adf2db365a7b36059531fd2f-3840.webp 3840w","w":3840,"h":5758},"gallery":[{"src":"/images/97cdd2330e099326bc863b978e8965a2-1400.webp","srcset":"/images/97cdd2330e099326bc863b978e8965a2-480.webp 480w, /images/97cdd2330e099326bc863b978e8965a2-960.webp 960w, /images/97cdd2330e099326bc863b978e8965a2-1400.webp 1400w","w":1400,"h":2100}],"series":"minutiae series","hero_alt":"Minutiae Series #02 — Wood work, 2023","hero_alt_pt":"Minutiae Series #02 — Madeira, 2023","related":[{"slug":"minutiae-series-5-2023","rel":"series","kind":"work"}]},{"id":"64245e27-e7fe-4381-813c-1f601507f60b","slug":"portal-series-06-2021","title":"Portal Series #06","title_pt":null,"type":"unique_piece","medium":"Wood","year":2021,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Laser-engraved assembled old wooden doors","dimensions":"206 × 71 × 46 cm","surface":null,"description":"A face carved into layered wood, the relief revealing pale inner tones against a darker outer surface, the portrait formed by chiselled depth rather than added pigment.","description_pt":"Rosto escavado em madeira estratificada, com o relevo a revelar tons interiores claros contra uma superfície exterior mais escura, formando o retrato pela profundidade cinzelada e não por pigmento acrescentado.","is_featured":false,"status":"approved","tags":["carved","doors","series"],"hero":{"src":"/images/ceb812d1907038ebf7aeeb78bfacf161-1681.webp","srcset":"/images/ceb812d1907038ebf7aeeb78bfacf161-480.webp 480w, /images/ceb812d1907038ebf7aeeb78bfacf161-960.webp 960w, /images/ceb812d1907038ebf7aeeb78bfacf161-1600.webp 1600w, /images/ceb812d1907038ebf7aeeb78bfacf161-1681.webp 1681w","w":1681,"h":1626,"caption":"VHILSTUDIO Artist Portfolio 2025, official"},"gallery":[{"src":"/images/9c20171b70ceaf5a2490b1cd9db228d1-960.webp","srcset":"/images/9c20171b70ceaf5a2490b1cd9db228d1-960.webp 960w","w":1400,"h":957}],"series":"portal series","hero_alt":"Portal Series #06 — Wood work, 2021","hero_alt_pt":"Portal Series #06 — Madeira, 2021","related":[{"slug":"portal-series-18-2021","rel":"series","kind":"work"}]},{"id":"d783176c-1505-4df0-89fc-7e415984932c","slug":"burnt-series-02-2021","title":"Burnt Series #02","title_pt":null,"type":"unique_piece","medium":"Wood","year":2021,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved Yakisugi-burnt wooden panels","dimensions":"240 × 150 cm","surface":null,"description":"A bearded male portrait emerges from a vertical assembly of charred wooden planks, the face revealed through controlled removal of the Yakisugi-burnt surface to expose the lighter grain beneath. The shou sugi ban technique inverts Vhils's signature subtractive method, treating fire-blackened timber as the layer to be excavated.","description_pt":"Um retrato masculino barbado emerge de uma montagem vertical de tábuas de madeira carbonizadas, o rosto revelado pela remoção controlada da superfície queimada segundo Yakisugi para expor o veio mais claro por baixo. A técnica shou sugi ban inverte o método subtrativo característico de Vhils, tratando a madeira enegrecida pelo fogo como a camada a escavar.","is_featured":false,"status":"approved","tags":["carved","burnt","yakisugi","series"],"hero":{"src":"/images/f23b5bce76a0a0048c18b9a0704c8c14-1564.webp","srcset":"/images/f23b5bce76a0a0048c18b9a0704c8c14-480.webp 480w, /images/f23b5bce76a0a0048c18b9a0704c8c14-960.webp 960w, /images/f23b5bce76a0a0048c18b9a0704c8c14-1564.webp 1564w","w":1564,"h":1600},"gallery":[{"src":"/images/82053945ede98985edc4ac4178d57e88-960.webp","srcset":"/images/82053945ede98985edc4ac4178d57e88-960.webp 960w","w":1400,"h":933}],"series":"burnt series","hero_alt":"Burnt Series #02 — Wood work, 2021","hero_alt_pt":"Burnt Series #02 — Madeira, 2021","related":[{"slug":"burnt-series-3-2022","rel":"series","kind":"work"}]},{"id":"47496120-736d-4f89-aa0c-cd4581163d44","slug":"graven-series-01-2019","title":"Graven Series #01","title_pt":null,"type":"unique_piece","medium":"Wood","year":2019,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved old wooden door","dimensions":"96 × 193 cm","surface":null,"description":"A close-cropped human face emerges from a horizontally planked old wooden door, the portrait revealed by selectively chiselling away layers of white paint to expose the warm timber beneath. 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'Unknown Faces' is the artist's own series title: it appears on his May-2008 site menu in the 2007 year section, again as a project on the 2009 site generation, and in the Paper section of the 2013 site — one of the finished early paper series he kept presenting, alongside the published 2008 siblings Unknown Icons and Nothing Lasts Forever. Individual sheets are untitled. The 2013 site grouped the set under 2009, while the artist's own 2008 menu places the series' origin in 2007; sheets may span 2007–2009.","description_pt":"Uma série de cabeças em retrato sobre papel, em aguadas profundas de ultramarino e cobalto, com os rostos a dissolverem-se em escorrimentos e passagens descoloridas. 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2023","title_pt":null,"type":"unique_piece","medium":"Metal","year":2023,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Hand-carved old metal door","dimensions":"216 x 100 cm","surface":null,"description":"Hand-carved old metal door, 216 x 100 cm.","description_pt":"Porta metálica antiga escavada à mão, 216 x 100 cm.","is_featured":false,"status":"approved","tags":["portfolio-2025","enriched","series:corrosao"],"hero":{"src":"/images/4facee6ed598117144c926a7a3b9c688-2026.webp","srcset":"/images/4facee6ed598117144c926a7a3b9c688-480.webp 480w, /images/4facee6ed598117144c926a7a3b9c688-960.webp 960w, /images/4facee6ed598117144c926a7a3b9c688-1600.webp 1600w, /images/4facee6ed598117144c926a7a3b9c688-2026.webp 2026w","w":2026,"h":2048,"caption":"VHILSTUDIO Artist Portfolio 2025, official"},"hero_alt":"Corrosão Series #01, 2023 — Metal work, 2023","gallery":[],"_provenance":{"hero":"VHILSTUDIO Artist Portfolio 2025, official","source_pages":null},"series":"corrosão series","hero_alt_pt":"Corrosão Series #01, 2023 — Metal, 2023"},{"id":"enrich-cargo-1128e94e11f5","slug":"untitled-oxidised-metal-diptych-2008","title":"Untitled","title_pt":null,"type":"unique_piece","medium":"Metal","year":2008,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Etched and oxidised metal, two panels (diptych)","dimensions":null,"surface":null,"description":"A portrait of a bearded elderly man spans two metal panels joined at a visible vertical seam, the halftone image drawn out of the plates through etching and oxidation, with heavy rust runs bleeding down to the lower edge. The studio photograph is dated 19 August 2008 and its filename places the work among the 'NY pieces' produced for The Outsiders New York, the Lazarides Gallery group exhibition held in New York that year.","description_pt":"Um retrato de um homem idoso barbado estende-se por dois painéis metálicos unidos por uma junta vertical visível, com a imagem em retícula extraída das placas através de gravação e oxidação, e fortes escorrimentos de ferrugem a sangrar até à margem inferior. A fotografia de estúdio está datada de 19 de agosto de 2008 e o nome do ficheiro situa a obra entre as 'NY pieces' produzidas para The Outsiders New York, a exposição coletiva da Lazarides Gallery realizada em Nova Iorque nesse ano.","is_featured":false,"status":"approved","tags":["enriched","cargo-2012"],"hero":{"src":"/images/e7316595e19019b38596e3f40c0ea9be-960.webp","srcset":"/images/e7316595e19019b38596e3f40c0ea9be-480.webp 480w, /images/e7316595e19019b38596e3f40c0ea9be-960.webp 960w, /images/e7316595e19019b38596e3f40c0ea9be-1600.webp 1600w, /images/e7316595e19019b38596e3f40c0ea9be-1782.webp 1782w","w":1782,"h":2310},"gallery":[],"hero_alt":"Untitled — Metal work, 2008","hero_alt_pt":"Untitled — Metal, 2008"},{"id":"enrich-cargo-9689cada386b","slug":"untitled-oxidation-portrait-metal-2008","title":"Untitled (Oxidation Portrait on Metal)","title_pt":null,"type":"unique_piece","medium":"Metal","year":2008,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":null,"materials":"Acid-etched metal","dimensions":null,"surface":null,"description":"A portrait produced through oxidation on a metal plate: an ageing face with downcast, hollowed eyes surfaces from fields of rust, with pale streaks tracing the ridge of the nose and the underside of each eye. A small black tree-shaped stamp, an early mark used by the artist, sits at the lower left of the plate. The work belongs to the same early series of oxidation portraits on metal as Fade Series #03 and was published untitled in the Metals section of the artist's Cargo Collective site.","description_pt":"Um retrato produzido por oxidação sobre uma placa metálica: um rosto envelhecido, de olhos baixos e cavados, emerge de campos de ferrugem, com veios claros a traçar a cana do nariz e a parte inferior de cada olho. Um pequeno carimbo preto em forma de árvore, uma marca inicial usada pelo artista, surge no canto inferior esquerdo da placa. 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An elderly face over a taxi-and-car street scene, in copper and rust tones, with the mirrored words 'STOP LOOK LISTEN'. Mirrored traffic-sign lettering etched into the plate records the transfer process. Sibling of Apathy Series #08 already in the archive; the plate title follows the artist's own site filename.","description_pt":"Placa metálica gravada a ácido da Apathy Series, publicada sob o título de série do próprio artista na secção Metal de 2013 do seu site. Um rosto idoso sobre uma cena de rua com táxi e carro, em tons de cobre e ferrugem, com as palavras espelhadas 'STOP LOOK LISTEN'. A inscrição espelhada de sinalização de trânsito gravada na placa regista o processo de transferência. 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A woman with flowing hair, a 'NO ENTRY' sign at the right edge. Mirrored traffic-sign lettering etched into the plate records the transfer process. Sibling of Apathy Series #08 already in the archive; the plate title follows the artist's own site filename.","description_pt":"Placa metálica gravada a ácido da Apathy Series, publicada sob o título de série do próprio artista na secção Metal de 2013 do seu site. Uma mulher de cabelo ondulante, com um sinal 'NO ENTRY' na margem direita. A inscrição espelhada de sinalização de trânsito gravada na placa regista o processo de transferência. 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A man in a cap looking upward, mirrored 'STOP LOOK LISTEN' along the right edge. Mirrored traffic-sign lettering etched into the plate records the transfer process. Sibling of Apathy Series #08 already in the archive; the plate title follows the artist's own site filename.","description_pt":"Placa metálica gravada a ácido da Apathy Series, publicada sob o título de série do próprio artista na secção Metal de 2013 do seu site. Um homem de boné a olhar para cima, com 'STOP LOOK LISTEN' espelhado ao longo da margem direita. A inscrição espelhada de sinalização de trânsito gravada na placa regista o processo de transferência. 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A faint decayed face dissolving into drips over azulejo triangle patterns on an ochre-brown rust ground. Studio photograph on white from the artist's own site. Siblings Ferrugem Series #04 and #06 are already in the archive; the plate number follows the artist's own filename (site-grounded, not book-verified).","description_pt":"Retrato gravado por ácido e ferrugem sobre uma placa metálica da Ferrugem Series, publicado sob o título de série do próprio artista na secção Metal de 2013 do seu site. Um rosto ténue e deteriorado que se dissolve em escorrimentos sobre padrões triangulares de azulejo num fundo de ferrugem ocre-acastanhado. Fotografia de estúdio sobre branco, retirada do próprio site do artista. 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A male face in right-facing profile etched pale on dark brown rust, a brick-pattern fragment at top left, vertical drips. Studio photograph on white from the artist's own site. Siblings Ferrugem Series #04 and #06 are already in the archive; the plate number follows the artist's own filename (site-grounded, not book-verified).","description_pt":"Retrato gravado por ácido e ferrugem sobre uma placa metálica da Ferrugem Series, publicado sob o título de série do próprio artista na secção Metal de 2013 do seu site. Um rosto masculino de perfil voltado para a direita, gravado em tom claro sobre ferrugem castanho-escura, com um fragmento de padrão de tijolo no canto superior esquerdo e escorrimentos verticais. Fotografia de estúdio sobre branco, retirada do próprio site do artista. 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pequenos ecrãs e painéis retroiluminados montados numa parede negra, mostrando fragmentos de um rosto em meio-tom, olhos, padrões geométricos e lettering de graffiti em roxos, azuis e rosas saturados.","is_featured":false,"status":"approved","tags":["video-installation","solo-exhibition"],"hero":{"src":"/images/b75ffedca75a484fd62be67c07017c86-1600.webp","srcset":"/images/b75ffedca75a484fd62be67c07017c86-480.webp 480w, /images/b75ffedca75a484fd62be67c07017c86-960.webp 960w, /images/b75ffedca75a484fd62be67c07017c86-1600.webp 1600w","w":1600,"h":1066},"gallery":[{"src":"/images/4aed4c32a2ec33fc66f6a30d85433fc7-960.webp","srcset":"/images/4aed4c32a2ec33fc66f6a30d85433fc7-480.webp 480w, /images/4aed4c32a2ec33fc66f6a30d85433fc7-960.webp 960w, /images/4aed4c32a2ec33fc66f6a30d85433fc7-1600.webp 1600w, /images/4aed4c32a2ec33fc66f6a30d85433fc7-2244.webp 2244w","w":2244,"h":1496,"caption":"Bruno 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madeira.","is_featured":false,"status":"approved","tags":["video-installation","solo-exhibition"],"hero":{"src":"/images/b91c0fb3461036f57bd9571eb099fb9f-1600.webp","srcset":"/images/b91c0fb3461036f57bd9571eb099fb9f-480.webp 480w, /images/b91c0fb3461036f57bd9571eb099fb9f-960.webp 960w, /images/b91c0fb3461036f57bd9571eb099fb9f-1600.webp 1600w","w":1600,"h":1061},"gallery":[],"hero_alt":"art may imitate life but life imitates tv — Digital Art work, 2008, Lisbon, Portugal","hero_alt_pt":"art may imitate life but life imitates tv — Arte Digital, 2008, Lisboa, Portugal","related":[{"slug":"youre-still-a-rat-2009-bk","rel":"place","kind":"work"},{"slug":"even-if-you-win-the-rat-race-youre-still-a-rat-2009","rel":"place","kind":"exhibition"},{"slug":"vsp-2008-lisbon","rel":"place","kind":"exhibition"}]},{"id":"aac21d8f-d31a-4086-884a-15a58cef6ce2","slug":"digital-art","title":"Digital Art","title_pt":null,"type":"unique_piece","medium":"Digital 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The bearded likeness surfaces in red halftone through accumulated strata of salvaged advertising posters, the upper layers cut and torn away so that fragments of printed colour, lettering and pattern break through a field of white paper. Studio documentation records the composition across two design rounds, each captured in progressive states of excavation.","description_pt":"Um retrato de David Grutman, empresário de hotelaria de Miami, encomendado em 2022 e desenvolvido na linguagem de cartazes rasgados do artista. A semelhança barbada emerge em retícula vermelha através de estratos acumulados de cartazes publicitários recuperados, com as camadas superiores cortadas e rasgadas para que fragmentos de cor impressa, letras e padrões irrompam por um campo de papel branco. A documentação de estúdio regista a composição ao longo de duas rondas de desenho, cada uma captada em estados progressivos de escavação.","is_featured":false,"status":"approved","tags":["enriched","master-review","layers","digital"],"hero":{"src":"/images/798d3638304ad56d64d0c133057d867d-960.webp","srcset":"/images/798d3638304ad56d64d0c133057d867d-480.webp 480w, /images/798d3638304ad56d64d0c133057d867d-960.webp 960w, /images/798d3638304ad56d64d0c133057d867d-1600.webp 1600w, /images/798d3638304ad56d64d0c133057d867d-3500.webp 3500w","w":3500,"h":5000},"gallery":[{"src":"/images/ac5f796eef33925cead388e84e81e2f9-960.webp","srcset":"/images/ac5f796eef33925cead388e84e81e2f9-480.webp 480w, /images/ac5f796eef33925cead388e84e81e2f9-960.webp 960w, /images/ac5f796eef33925cead388e84e81e2f9-1600.webp 1600w, /images/ac5f796eef33925cead388e84e81e2f9-3500.webp 3500w","w":3500,"h":5000}],"hero_alt":"Portrait (David Grutman) — Digital Art work, 2022, Miami, United States","hero_alt_pt":"Portrait (David Grutman) — Arte Digital, 2022, Miami, Estados Unidos"},{"id":"enrich-mr-911fc7d606a6","slug":"portrait-dillon-francis-2022","title":"Portrait (Dillon Francis)","title_pt":null,"type":"unique_piece","medium":"Digital Art","year":2022,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":"Layered torn-poster composition in four numbered reveal states","materials":null,"dimensions":null,"surface":null,"description":"Portrait of the American DJ and producer Dillon Francis, composed in 2022 in the artist's torn-poster language as part of a set of portrait commissions of music and art-world figures. The studio archive holds the work as twelve compositions in four numbered states each, progressing from an almost blank sheet of creased white poster paper — torn edges exposing slivers of colour beneath — to the fully revealed halftone likeness, which surfaces amid strata of skeletal leaf prints, Asian newspaper fragments and advertising remnants. Each state is paired with generative trait metadata in the archive, recording backgrounds, patterns and textures for every permutation.","description_pt":"Retrato do DJ e produtor americano Dillon Francis, composto em 2022 na linguagem de cartazes rasgados do artista, como parte de um conjunto de encomendas de retratos de figuras da música e do mundo da arte. O arquivo de estúdio conserva a obra como doze composições em quatro estados numerados cada, avançando de uma folha quase em branco de papel de cartaz branco vincado — com margens rasgadas a expor pequenas lascas de cor por baixo — até à semelhança em retícula totalmente revelada, que emerge entre estratos de impressões de folhas esqueléticas, fragmentos de jornais asiáticos e restos publicitários. Cada estado está associado no arquivo a metadados de traços generativos, registando fundos, padrões e texturas para cada permutação.","is_featured":false,"status":"approved","tags":["enriched","master-review","layers","digital"],"hero":{"src":"/images/911fc7d606a641c93443087981702735-960.webp","srcset":"/images/911fc7d606a641c93443087981702735-480.webp 480w, /images/911fc7d606a641c93443087981702735-960.webp 960w, /images/911fc7d606a641c93443087981702735-1600.webp 1600w, /images/911fc7d606a641c93443087981702735-3500.webp 3500w","w":3500,"h":5000},"gallery":[{"src":"/images/8978f4e6beb7c960d5fd070aa8074a6e-960.webp","srcset":"/images/8978f4e6beb7c960d5fd070aa8074a6e-480.webp 480w, /images/8978f4e6beb7c960d5fd070aa8074a6e-960.webp 960w, /images/8978f4e6beb7c960d5fd070aa8074a6e-1600.webp 1600w, /images/8978f4e6beb7c960d5fd070aa8074a6e-3500.webp 3500w","w":3500,"h":5000},{"src":"/images/36935c347e9840ba3383eb3ca53beef7-960.webp","srcset":"/images/36935c347e9840ba3383eb3ca53beef7-480.webp 480w, /images/36935c347e9840ba3383eb3ca53beef7-960.webp 960w, /images/36935c347e9840ba3383eb3ca53beef7-1600.webp 1600w, /images/36935c347e9840ba3383eb3ca53beef7-3500.webp 3500w","w":3500,"h":5000},{"src":"/images/740ba446aab0f4155723c16cc25fcce2-960.webp","srcset":"/images/740ba446aab0f4155723c16cc25fcce2-480.webp 480w, /images/740ba446aab0f4155723c16cc25fcce2-960.webp 960w, /images/740ba446aab0f4155723c16cc25fcce2-1600.webp 1600w, /images/740ba446aab0f4155723c16cc25fcce2-3500.webp 3500w","w":3500,"h":5000},{"src":"/images/06c0ce5b5b89d998c34713786beffa64-960.webp","srcset":"/images/06c0ce5b5b89d998c34713786beffa64-480.webp 480w, /images/06c0ce5b5b89d998c34713786beffa64-960.webp 960w, /images/06c0ce5b5b89d998c34713786beffa64-1600.webp 1600w, /images/06c0ce5b5b89d998c34713786beffa64-3500.webp 3500w","w":3500,"h":5000}],"hero_alt":"Portrait (Dillon Francis) — Digital Art work, 2022","hero_alt_pt":"Portrait (Dillon Francis) — Arte Digital, 2022"},{"id":"enrich-mr-e89a13c5c77d","slug":"portrait-diplo","title":"Portrait (Diplo)","title_pt":null,"type":"unique_piece","medium":"Digital Art","year":2022,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":"Carved layers of advertising posters","materials":"Accumulated advertising posters, hand-carved","dimensions":null,"surface":null,"description":"Portrait of the American DJ and producer Diplo (Thomas Wesley Pentz), carved from an accumulated mass of advertising posters whose whitewashed top layer is progressively cut and torn away to reveal the face within the printed strata beneath, fragments of poster text and numerals remaining legible across the features. The studio archive documents the work in four progressive carving states — from the blank whitewashed poster mass to the finished portrait — recorded across six chromatic variations. It belongs to a 2022 group of carved-poster portraits of music and art-world figures documented in the same numbered-state format, alongside portraits of Steve Aoki, David Grutman, Dillon Francis, JR and Madonna.","description_pt":"Retrato do DJ e produtor americano Diplo (Thomas Wesley Pentz), escavado a partir de uma massa acumulada de cartazes publicitários cuja camada superior caiada é progressivamente cortada e rasgada para revelar o rosto dentro dos estratos impressos inferiores, com fragmentos de texto de cartaz e algarismos ainda legíveis nas feições. O arquivo de estúdio documenta a obra em quatro estados progressivos de escavação — da massa de cartazes caiados em branco ao retrato acabado — registados em seis variações cromáticas. Pertence a um grupo de 2022 de retratos em cartazes escavados de figuras da música e do mundo da arte, documentados no mesmo formato de estados numerados, ao lado de retratos de Steve Aoki, David Grutman, Dillon Francis, JR e Madonna.","is_featured":false,"status":"approved","tags":["carved","portrait","edition-states","enriched","master-review","layers","digital"],"hero":{"src":"/images/e89a13c5c77dfc243ca33b5d34411930-960.webp","srcset":"/images/e89a13c5c77dfc243ca33b5d34411930-480.webp 480w, /images/e89a13c5c77dfc243ca33b5d34411930-960.webp 960w, /images/e89a13c5c77dfc243ca33b5d34411930-1600.webp 1600w, /images/e89a13c5c77dfc243ca33b5d34411930-3500.webp 3500w","w":3500,"h":5000,"caption":"Portrait (Diplo), 2022 — final carving state (variation 3)"},"hero_alt":"Portrait (Diplo) — Digital Art work, 2022","gallery":[{"src":"/images/d721de7391d0700f1c9189f15e038d7d-960.webp","srcset":"/images/d721de7391d0700f1c9189f15e038d7d-480.webp 480w, /images/d721de7391d0700f1c9189f15e038d7d-960.webp 960w, /images/d721de7391d0700f1c9189f15e038d7d-1600.webp 1600w, /images/d721de7391d0700f1c9189f15e038d7d-3500.webp 3500w","w":3500,"h":5000,"caption":"State 1 — whitewashed poster mass before carving"},{"src":"/images/dad3c82632e3086c0e6638fc4f0a1c67-960.webp","srcset":"/images/dad3c82632e3086c0e6638fc4f0a1c67-480.webp 480w, /images/dad3c82632e3086c0e6638fc4f0a1c67-960.webp 960w, /images/dad3c82632e3086c0e6638fc4f0a1c67-1600.webp 1600w, /images/dad3c82632e3086c0e6638fc4f0a1c67-3500.webp 3500w","w":3500,"h":5000,"caption":"Final carving state (variation 1)"},{"src":"/images/c7aa22fa0e02e364100a43210e9498ff-960.webp","srcset":"/images/c7aa22fa0e02e364100a43210e9498ff-480.webp 480w, /images/c7aa22fa0e02e364100a43210e9498ff-960.webp 960w, /images/c7aa22fa0e02e364100a43210e9498ff-1600.webp 1600w, /images/c7aa22fa0e02e364100a43210e9498ff-3500.webp 3500w","w":3500,"h":5000,"caption":"Final carving state (variation 6)"}],"hero_alt_pt":"Portrait (Diplo) — Arte Digital, 2022"},{"id":"enrich-mr-6935ddccdf4d","slug":"portrait-jr-2022","title":"Portrait (JR)","title_pt":null,"type":"unique_piece","medium":"Digital Art","year":2022,"month":null,"exact_date":null,"city":null,"country":null,"country_code":null,"venue":null,"address":null,"lat":null,"lng":null,"technique":"Layered torn-poster composition, portrait revealed through successive layer states","materials":null,"dimensions":null,"surface":null,"description":"Portrait of the French artist JR, a peer of the urban-art generation, made in 2022 in the artist's layered-poster language. A halftone likeness — eyeglasses, stubble, steady gaze — emerges from strata of torn advertising posters, patterned papers and colour fields, with ragged edges exposing the layers beneath. The studio documentation records the composition as a set of twelve permutations, photographed through sequential states from a blank mass of white poster layers to the fully revealed portrait. It belongs to a 2022 series of portraits of cultural figures that also includes Steve Aoki, Madonna, Diplo, Dillon Francis and David Grutman.","description_pt":"Retrato do artista francês JR, par da geração da arte urbana, realizado em 2022 na linguagem de cartazes estratificados do artista. Uma semelhança em retícula — óculos, barba por fazer, olhar firme — emerge de estratos de cartazes publicitários rasgados, papéis padronizados e campos de cor, com margens irregulares a expor as camadas por baixo. A documentação de estúdio regista a composição como um conjunto de doze permutações, fotografadas através de estados sequenciais que vão de uma massa em branco de camadas de cartaz até ao retrato totalmente revelado. Pertence a uma série de 2022 de retratos de figuras culturais que inclui também Steve Aoki, Madonna, Diplo, Dillon Francis e David Grutman.","is_featured":false,"status":"approved","tags":["master-review","portrait","torn-posters","layers","digital"],"hero":{"src":"/images/6935ddccdf4db350a4609a256ff53725-960.webp","srcset":"/images/6935ddccdf4db350a4609a256ff53725-480.webp 480w, /images/6935ddccdf4db350a4609a256ff53725-960.webp 960w, /images/6935ddccdf4db350a4609a256ff53725-1600.webp 1600w, /images/6935ddccdf4db350a4609a256ff53725-3500.webp 3500w","w":3500,"h":5000},"hero_alt":"Portrait (JR) — Digital Art work, 2022","gallery":[{"src":"/images/c87e4f02ffbcfe83c7fb3773fb5cef85-960.webp","srcset":"/images/c87e4f02ffbcfe83c7fb3773fb5cef85-480.webp 480w, /images/c87e4f02ffbcfe83c7fb3773fb5cef85-960.webp 960w, /images/c87e4f02ffbcfe83c7fb3773fb5cef85-1600.webp 1600w, /images/c87e4f02ffbcfe83c7fb3773fb5cef85-3500.webp 3500w","w":3500,"h":5000},{"src":"/images/6a155b37f2a9da8997a5844fd5f275b7-960.webp","srcset":"/images/6a155b37f2a9da8997a5844fd5f275b7-480.webp 480w, /images/6a155b37f2a9da8997a5844fd5f275b7-960.webp 960w, /images/6a155b37f2a9da8997a5844fd5f275b7-1600.webp 1600w, /images/6a155b37f2a9da8997a5844fd5f275b7-3500.webp 3500w","w":3500,"h":5000},{"src":"/images/c74ad322c3c75a023d172998f5ae0dd3-960.webp","srcset":"/images/c74ad322c3c75a023d172998f5ae0dd3-480.webp 480w, /images/c74ad322c3c75a023d172998f5ae0dd3-960.webp 960w, /images/c74ad322c3c75a023d172998f5ae0dd3-1600.webp 1600w, /images/c74ad322c3c75a023d172998f5ae0dd3-3500.webp 3500w","w":3500,"h":5000},{"src":"/images/b97cce7c8de9491d901470ef0964a539-960.webp","srcset":"/images/b97cce7c8de9491d901470ef0964a539-480.webp 480w, /images/b97cce7c8de9491d901470ef0964a539-960.webp 960w, /images/b97cce7c8de9491d901470ef0964a539-1600.webp 1600w, /images/b97cce7c8de9491d901470ef0964a539-3500.webp 3500w","w":3500,"h":5000}],"hero_alt_pt":"Portrait (JR) — Arte Digital, 2022"}]}]}